This photograph by Max Dupain (22 Apr 1911 - 27 Jul 1992), signed and dated 1936, is from the archive of Madame Louise Lamoureux, who ran a Sydney fashion house specialising in embroidery and hand-beading.
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Over the last six months a project team at the Museum has been hard at work redesigning a key part of the Museum’s digital offer – the MAAS online collection website. We're pleased to announce the site is now live and available at https://collection.maas.museum/.
In celebration of the Lunar New Year (28 January 2017), I have curated a small group of Chinese New Year pictures and propaganda posters. The brightly coloured posters portray elements of Chinese political visual culture.
HIV is still here - and it's on the move For folk who lived through the 1980s, AIDS was an omnipresent gargoyle. The disease was part of the contemporary culture. It had insinuated itself into current affairs stories and commercials, into youth culture, gay culture, tea-room discussions, into jokes, bullying; and into people’s bodies.
Sometimes luminaries in popular culture are called 'legends'. A legend is a story that has been handed down and is popularly regarded as historical but not authenticated. The legend of Annette Kellerman goes like this -- born in Marrickville, she recovered from polio as a child, invented the one-piece swimsuit, was arrested in Boston for wearing it and became a Hollywood movie star.
Recently identified in the MAAS collection are twenty early career images of fashion icon Carmen Dell’Orefice modelling hats by celebrity milliner, Mr John of New York (1902-1993). Still modelling at 85, Ms Dell’Orefice is widely acknowledged for her elegance and interpretative skill.
Why would a museum collect 3D printed objects? To answer this question it’s important to think about why museums collect anything at all. Museum collections, on the whole, show a deep, human preoccupation with material culture - the things that surround us.
Visitors to the recently opened Icons exhibition will notice two large screens installed in one of the title walls, featuring rotating 3D models of objects from the exhibition. The screens invite visitors to “touch and explore” the 3D models.
I am still looking for my chest of gold in a cool dripping sea cave -- though a professional mermaid for the movies, I still wait to see my first real one sitting on a damp grey rock combing her long green hair.1 The exhibition Million Dollar Mermaid: Annette Kellerman features a visual installation projected onto a set, creating an immersive, sensory environment.
Whenever asked ‘when, where and what’ to visit in Sydney, we know the answer: the Opera House with her pure white sails lit in moonlight and of course, our iconic Sydney Harbour Bridge that sparkles beautifully every New Year’s Eve.
Klaus Moje was one of the most distinguished and influential glass artists of his time. Living in Canberra and working as an educator as well as glass artist Moje had a profound influence on national and international glass communities.
Matthew Connell, was lead curator on Out of Hand. Here he discusses his approach to the exhibition with fellow MAAS curator Anni Turnbull. What is the exhibition about? It’s a look at the world of digital manufacturing and an acknowledgement that the digital world is now imposing itself on the material world in a way that breaks down a long standing dichotomy.