This beautiful porcelain sculpture, Forms in Succession #5 created by Japanese potter Shigekazu Nagae, dances beautifully in this video.
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What is your specialty area? Well, I have two art history degrees, so the short answer is art. The long answer is I used to be thoroughly obsessed with gendered architecture, until I discovered contemporary art in the last year of my undergraduate degree.
Saturday 23rd March, 8:30-9:30 is Earth hour and it gives us a chance to turn off the lights and celebrate the dark. More than 2 million individuals and 2,000 businesses in Sydney took part in the First Earth hour in 2007.
Most people don't have the patience to attempt what our recent intern, Amir Mogadam from the Universtiy of Newcastle has just finished – probably one of the most challenging jigsaws you’re ever likely to see.
The image above is of a thumbscrew which I came across here in the Museum’s collection while looking for something far more innocuous – a wooden mallet made from a girder of the old Sydney Stock Exchange.
2013 is an important year for the Museum. Not only are we celebrating our 25th birthday, but we’re also celebrating 20 years of Student Fashion. The Student Fashion display has been held annually at the Powerhouse Museum since 1993.
The careers of architects and photographers are often intertwined. An outstanding case is Max Dupain, Australia’s leading photographer of architecture, whose work was crucial in building the reputations of several architects including Harry Seidler, Sydney Ancher and Glenn Murcutt.
A new display opens at the Powerhouse Museum this week titled 'Upcycled', a word coined by German engineer and upcycler, Reiner Pilz in 1994. ‘Recycling? I call it down-cycling. They smash bricks, they smash everything.
If you visit the Powerhouse Museum between 10 am and 1 pm on 9 March for our 25th birthday celebrations, you will be able to see the accurate detail captured in this bronze bust of Sydney pharmacist Ernest Pollock.
The story of the creation of the Powerhouse museum starts with the project to host an international exhibition in the grounds of the Sydney Domain in 1879. Based on similar displays in London and Paris it drew from around the world all manner of objects relating to the industrial and applied arts.These were all to be housed in the ‘Garden Palace’ exhibition building, which was designed in a week and built in less than a year.
As Sydney throws itself into another round of Mardi Gras celebrations, it is 35 years since the initial march. Attitudes have shifted since 1978 where the first marchers attracted the wrath of the police and condemnation from certain parts of society and the media.