Concerns about the harmful impact of the global fashion industry on the environment and worker exploitation, particularly in the case of low priced, low quality fast fashion, has prompted the exploration of alternative ways to source materials and produce garments.
Inside the Collection
Ever wondered how to donate to a museum? Curator Tilly Boleyn reveals what to consider before you get in touch. Spring is a busy time. Flowers are blooming, lambs are frolicking and people are clearing out their sheds thinking, “I wonder if I should donate this to a museum?”.
From its very beginnings, rock n roll has argued with itself over image. Is the rock image glam, flashy, showy and gregarious? Or is it honest, dirty, working class and brash? Regardless, ‘look’ has always played a massive part in rock n roll.
What were you to do if you were a woman living in a country town during the 1920s and dreamed of wearing the latest fashions from Paris? This dressmaking kit, which came to the donor from a house in Warwick, Queensland, speaks of the wide influence of Paris fashions and the audacious ‘lady overlanders’ who traversed the country showing samples and taking orders for the Swiss embroidery business, Sonderegger & Co.
Instantly recognisable for their distinct appearance of blue skin, white clothing and a small stature, Smurfs are a cherished worldwide children's franchise that began in Belgium in the late-1950s.
A recent loan to the Art Gallery of New South Wales (AGNSW) highlights our commitment to providing access to the collection in new and varied ways. The Museum of Applied Arts and Sciences (MAAS) has an active outgoing loans program, through which the diverse collection is made accessible to audiences across Australia and the world.
Marriage has been practiced in myriad forms across time and communities. It has no universal model and is in a frequent state of flux as it adjusts and responds to the changing political, economic and social milieu.
In preparation for the display of this intriguing copper-and-silver nef, one of the Museum’s late 19th century Viennese ornaments, our conservators located previously hidden maker’s marks which prompted renewed attention to the object’s origin, design and function.
Project Manager Kate Ford and Curator Glynis Jones recently installed Museum of Applied Arts and Sciences (MAAS) travelling exhibition Faith Fashion Fusion: Muslim Women’s Style in Australia at the Islamic Arts Museum Malaysia (IAMM) in Kuala Lumpur.
The artworks of Melbourne-based artist and designer Kate Rohde are recognisable for their exuberant embrace of form and pattern. Baroque in style, highly ornate and vibrating with colour, the works claim a unique position in contemporary Australian design.
Plutarch (b. 46 CE) tells the story of a man who plucks the feathers from a Nightingale and on finding nothing more than a scrawny body not worth eating, exclaims ‘You are a voice and nothing more.’ The power and potency of the voice, in this case, the human voice, is the focus of the exhibition This is a Voice which opened at the Powerhouse Museum on August 10.
As part of our tribute to Black History Month, we acknowledge that on this day, 115 years ago, celebrated Western Arrernte-speaking Australian Aboriginal artist Albert Namitjira (1902-1959), was born at Hermannsburg, Northern Territory.