"Public space is a great equaliser, and an ancient forum." The placing of posters in public spaces is artist Peter Drew’s way of drawing attention to Australia’s immigration issues and a direct response to the Australian government’s ‘Stop the Boats’ campaign.
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At 87 years old the Sydney Harbour Bridge continues to be admired by artists. During its construction it was documented by photographers such as Harold Cazneaux and painters like Grace Cossington Smith.
The Lunar New Year is the most significant annual celebration for Chinese, Korean and Vietnamese cultures. Today (5 February 2019) marks the beginning of the Year of the Golden Pig. If you were born in 1935, 1947, 1959, 1971, 1983, 1995, 2007 or 2019 then it is your year!
Home should be a place of security, intimacy, love and family, a haven from the world. It is where we can express ourselves through the location, architecture, furnishings and decoration. But 'home' is also a site of financial burden, fracture, loss and danger - and increasingly for some, a home is simply unattainable.
Wendy Ramshaw (1939 - 2018) was a leading contemporary British studio jeweller renowned for her innovative approach to jewellery design and production. Ramshaw emerged on the international jewellery scene in the 1970s, exerting a significant influence through inspiring exhibitions, workshops and artist residencies in countries such as the USA and Australia (1978).
From popular culture to mainstream media to discourse on the post-, trans- and non- human, the human impact of current technological change is palpable. The exhibition Human non Human responds to this sense of anxiousness and exhilaration.
Bequests have played a major part in the development of the Museum’s collection and have provided us with some of our most important and best-loved objects. Last year MAAS received a particularly generous bequest of objects and funds from Barry John Willoughby, a passionate Sydney collector of decorative arts.
Concerns about the harmful impact of the global fashion industry on the environment and worker exploitation, particularly in the case of low priced, low quality fast fashion, has prompted the exploration of alternative ways to source materials and produce garments.
Ever wondered how to donate to a museum? Curator Tilly Boleyn reveals what to consider before you get in touch. Spring is a busy time. Flowers are blooming, lambs are frolicking and people are clearing out their sheds thinking, “I wonder if I should donate this to a museum?”.
From its very beginnings, rock n roll has argued with itself over image. Is the rock image glam, flashy, showy and gregarious? Or is it honest, dirty, working class and brash? Regardless, ‘look’ has always played a massive part in rock n roll.
What were you to do if you were a woman living in a country town during the 1920s and dreamed of wearing the latest fashions from Paris? This dressmaking kit, which came to the donor from a house in Warwick, Queensland, speaks of the wide influence of Paris fashions and the audacious ‘lady overlanders’ who traversed the country showing samples and taking orders for the Swiss embroidery business, Sonderegger & Co.
Instantly recognisable for their distinct appearance of blue skin, white clothing and a small stature, Smurfs are a cherished worldwide children's franchise that began in Belgium in the late-1950s.