During 2017, we reflect on two key milestones in the journey of reconciliation - 50 years since the 1967 Referendum, and 25 years since the historic Mabo Decision. Held in the first week of July every year, NAIDOC week celebrates the history, culture and achievements of the Aboriginal and Torres Strait Islander people of Australia.
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This photograph by Max Dupain (22 Apr 1911 - 27 Jul 1992), signed and dated 1936, is from the archive of Madame Louise Lamoureux, who ran a Sydney fashion house specialising in embroidery and hand-beading.
In celebration of the Lunar New Year (28 January 2017), I have curated a small group of Chinese New Year pictures and propaganda posters. The brightly coloured posters portray elements of Chinese political visual culture.
Whenever asked ‘when, where and what’ to visit in Sydney, we know the answer: the Opera House with her pure white sails lit in moonlight and of course, our iconic Sydney Harbour Bridge that sparkles beautifully every New Year’s Eve.
Klaus Moje was one of the most distinguished and influential glass artists of his time. Living in Canberra and working as an educator as well as glass artist Moje had a profound influence on national and international glass communities.
Today is the second largest festival day, across Asia after Lunar New Year’s Day. Known as the Moon Festival Day or Mid-Autumn Festival Day, it is the fifteenth day of the Eighth month in the lunar calendar.
Frocks may seem rather innocuous but dress was essential in the creation of colonial Australia. In the 19th century, appropriate attire was a marker of respectability and an expression of status, wealth and beliefs.
Have you ever wondered why the Capitol Theatre in Sydney's Haymarket is such a strange design? It was originally a fruit and veggie market! 2016 marks the theatre’s 100th birthday. What a century it’s been, filled with performing seals, elephants, mermaids and now the von Trapp children.
This evening, George Gittoes receives the 2015 Sydney Peace Prize award and presents the annual Sydney Peace Prize lecture in the Sydney Town Hall. This is the first time this Prize, Australia’s only international prize for peace, will be awarded to an artist.
Peter Rushforth was one of Australia’s great ceramicists. Along with a number of his contemporaries, including his early mentor Allan Lowe, Rushforth shared an abiding interest in Asian, especially Chinese and Japanese ceramic aesthetics, philosophies and traditions.
Charles Laseron was an early collector at MAAS and formative influence upon our applied arts collection. He was also present during the Gallipoli landings in 1915. In the week leading up to the ANZAC Centenary, we are publishing a series of posts detailing Laseron’s life.
Our Interface exhibition unpacks some strategies employed by designers to simplify the way we use information technology (IT) tools. But surprisingly, the earliest objects in the exhibition are not IT artefacts at all but come from our decorative arts collection.