Today is the second largest festival day, across Asia after Lunar New Year’s Day. Known as the Moon Festival Day or Mid-Autumn Festival Day, it is the fifteenth day of the Eighth month in the lunar calendar.
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Frocks may seem rather innocuous but dress was essential in the creation of colonial Australia. In the 19th century, appropriate attire was a marker of respectability and an expression of status, wealth and beliefs.
Have you ever wondered why the Capitol Theatre in Sydney's Haymarket is such a strange design? It was originally a fruit and veggie market! 2016 marks the theatre’s 100th birthday. What a century it’s been, filled with performing seals, elephants, mermaids and now the von Trapp children.
This evening, George Gittoes receives the 2015 Sydney Peace Prize award and presents the annual Sydney Peace Prize lecture in the Sydney Town Hall. This is the first time this Prize, Australia’s only international prize for peace, will be awarded to an artist.
Peter Rushforth was one of Australia’s great ceramicists. Along with a number of his contemporaries, including his early mentor Allan Lowe, Rushforth shared an abiding interest in Asian, especially Chinese and Japanese ceramic aesthetics, philosophies and traditions.
Charles Laseron was an early collector at MAAS and formative influence upon our applied arts collection. He was also present during the Gallipoli landings in 1915. In the week leading up to the ANZAC Centenary, we are publishing a series of posts detailing Laseron’s life.
Our Interface exhibition unpacks some strategies employed by designers to simplify the way we use information technology (IT) tools. But surprisingly, the earliest objects in the exhibition are not IT artefacts at all but come from our decorative arts collection.
This advertising sign from the Wirth’s Circus collection is currently on display in the Circus Factory exhibition at the Powerhouse Museum. Wirth’s Circus was founded by the four Wirth brothers around 1880.
The Museum holds extensive Chinese collections including ceramics, bronze ware, lacquer ware, carvings in jade and ivory, textiles, dress and dress accessories. The Chinese collection has been shaped by a number of significant donations from collectors throughout the last 135 years.
Scrimshandering, Schrimshonter, schrimshander or scrimshaw as we know it, is the art of carving or decorating whale bone, whales teeth and walrus tusks. The Museum has eclectic and fascinating collections from parasols to fans, netsuke and scrimshaw.
This rather majestic black and white photographic portrait of Australian artist, designer and photographer Dahl Collings (Dulcie May Wilmott 1910-1988) was shot by her husband Geoffrey Collings (1905-2000) during a trip to Stonehenge around 1936.
After leaving Ridge's Royal Tycoon Circus in 1880 the Wirth brothers established themselves as the Star Troupe of Varieties. With just six artists, including Japanese acrobats and a German comedian, they assembled a program of acrobatics, clowning, contortion, spinning hats, boxing and comic songs.