Written by Arul Baskaran and Sarah Reeves This exhibition has now closed. Skip to the end of the post to watch a video capture of the Columbia VR experience. 21 July 1969. The world watches as Neil Armstrong and Buzz Aldrin explore the Lunar surface, after their history-making Moon Landing.
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“We look at art as a way of thinking – and because of that it can always change.” - Hesam Rahmanian In March 2020, the Powerhouse Museum launched the results of an exciting collaboration with the 22nd Biennale of Sydney, NIRIN.
We are digitising more than 330,000 items in the Powerhouse Collection to provide extraordinary levels of community access and support ongoing research and interpretation. The Powerhouse is custodian to over half a million objects of national and international significance spanning cultures and millennia.
The Museum staff have a huge job caring for our enormous collection of over 500,000 objects. Our team includes experts in a vast range of areas, including: fashion, health and medicine, architecture, engineering, sciences, design, decorative arts, technologies and contemporary culture.
As a communication student majoring in Journalism and International Studies, I am not your typical museum intern. I applied for an internship at MAAS after a guest lecture by one of the Museum’s curators, who encouraged anyone with an interest in the communication of history or science to apply.
Last month the Museum opened a new exhibition commemorating the 50th anniversary of the Apollo 11 Moon Landing. As the curator, I’ve spent the past 12-18 months developing this exhibition, which explores the events of 1969, and celebrates what is possibly the greatest scientific achievement of all time.
Name: Karen Biddle Role: Registrar / Collection Database Administrator What is the main focus of your role at MAAS? My main focus is the MAAS collection database (called 'EMu'), for which I manage user group permissions, report design, QA work, large data queries and exports, periodic statistics, and providing training/support to users for everyday usage queries.
On my recent visit to the Sydney Jewish Museum to experience the exhibition Jukebox Jewkbox! A Century on Shellac and Vinyl I was interested in how the Sydney Jewish Museum has explored the technology of recorded music.
Over the recent long weekend, I was thrilled to assist with the Museum’s participation in the annual CARnivale festival. Held for the second year in Sydney’s Parramatta Park on 26 January, CARnivale displayed over 400 classic vehicles, including cars, motorcycles, fire engines and ambulances, all made before 1987!
As a third year university student studying an arts degree, the same inevitable and dreaded question often arises in daily conversations; “oh, so what kind of job are you hoping to get with that degree?” My answer has always been that I would like to work as a curator or conservator in museums and art galleries, as I enjoy uncovering the history of objects and understanding what they can tell us about the past.
Dismantling Reigning Men took a full week of sweat, noise and dust. But from it the MAAS team has crafted a cocoon of serenity designed to celebrate the creativity and subtle complexity of Akira Isogawa, in a new exhibition which opened on 15 December 2018.
The Conservation department plays a crucial role in the preparation of the Museum's exhibitions. From the early stages of the exhibition development Conservators work closely with other members of the exhibition team, especially Curators, Designers and Registrars.