Like many suburbs of Sydney, Pyrmont and Ultimo have undergone significant changes during the last two hundred years. It’s hard to imagine the current peninsula filled with the sounds of quarrying, smoke from iron works and power stations and sweet smells from Colonial Sugar Refinery (CSR).
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Last year, we introduced to our readers the first glass and ceramic objects acquired for the MAAS collection with funds from the remarkably generous Barry Willoughby Bequest. We are delighted to share the news about two more recent acquisitions enabled by Willoughby’s passion for Australian studio glass and ceramics as expressed in his will.
On my recent visit to the Sydney Jewish Museum to experience the exhibition Jukebox Jewkbox! A Century on Shellac and Vinyl I was interested in how the Sydney Jewish Museum has explored the technology of recorded music.
I recently had the privilege of seeing the exhibition Jukebox Jewkbox! A Century on Shellac and Vinyl at the Sydney Jewish Museum in Darlinghurst. The exhibition explores the phenomenon of mass-produced music, performance and comedy on the mediums of shellac and vinyl, and the enormous part Jewish people have played, and continue to play in the industry.
"Public space is a great equaliser, and an ancient forum." The placing of posters in public spaces is artist Peter Drew’s way of drawing attention to Australia’s immigration issues and a direct response to the Australian government’s ‘Stop the Boats’ campaign.
After the British settled the colony in the early years from 1788, they struggled to grow enough food to survive. For them, the soil around the settlement was shallow and infertile, rainfall erratic and climate alien.
Poetry Object 2019 RED ROOM POETRY Object is Australia’s largest free poetry writing competition for schools. The competition invites us to think about how the objects in our lives can hold special personal meanings, and to explore capturing these stories in our own words by writing a poem about a chosen talismanic object.
If you grew up in Sydney in the 1950s or 1960s, going to the Royal Agricultural Society's Show at the old Moore Park Showground was as important as Christmas and your birthday, and much anticipated for weeks before.
At 87 years old the Sydney Harbour Bridge continues to be admired by artists. During its construction it was documented by photographers such as Harold Cazneaux and painters like Grace Cossington Smith.
Google Cultural Institute is an online platform which brings together the collections of hundreds of museums and galleries around the world. Its goal is to make these amazing collections free and accessible to all.
Over the recent long weekend, I was thrilled to assist with the Museum’s participation in the annual CARnivale festival. Held for the second year in Sydney’s Parramatta Park on 26 January, CARnivale displayed over 400 classic vehicles, including cars, motorcycles, fire engines and ambulances, all made before 1987!
The Museum has a wonderful collection of busts in the areas of science, fashion and art. From the slightly disconcerting 19th century French paper-mache anatomical models used to explore and demonstrate the workings of the human body to the fabulously formed torso of Chesty Bonds advertising Bonds singlets.