Norman Hetherington was a creator of wonder, but also, what may not be as well known, he was a creator of edifying realism. Having served in the Second World War, Hetherington got a taste of and developed a talent for performance art, being part of an entertainment unit.
Inside the Collection
The architect Philip Cox recently told us what we already knew: Star casino in Pyrmont is by far his worst building. Needless to say a Star flack was immediately reassuring the media that almost none of Cox’s 1997 design had survived the casino’s recent renovations.
Before my recent role as a volunteer, any semblance of interest towards farm machinery and equipment came from when I was as a small child, diligently preparing the family vegie garden by raking the soil with all the exuberance that a young child could muster.
We’ve just installed a small exhibition to mark the fortieth anniversary of Sydney Opera House on 20 October. The anniversary, by the way, is of the official 1973 opening by the Queen, not the first public performance there on the 28 September 1973, an interesting choice of dates.
To mark the centenary of the Royal Australian Navy, I’ve chosen to feature this naval phone, one of several that were crucial to the operation of the navy’s first flagship, HMAS Australia. I have a particular interest in that ship because my grandfather served on it for much of the First World War. The ‘loud-speaking’ hands-free voice-activated phone was used to communicate between the bridge and engine room.
On Saturday 24th August, the Powerhouse Museum ‘popped-up’ with a small object display and promotional stall at the Haldon Street Festival in Lakemba. Attended by more than 20,000 people, predominantly from the local Canterbury Council area, the festival was a fantastic opportunity for the Museum to bring some of its collection to the people – in particular, objects which not only help to promote a major upcoming exhibition opening at the Museum in 2014, but which have a special relevance and connection to some of the audiences we’re visiting. The two objects selected for display at this particular Pop-UP was the wasekaseka split sperm whale’s tooth necklace from Fiji dating to the mid-19th century and a contemporary neckpiece titled ‘Red Drop’ by Norwegian designer, Liv Blavarp.
'The revolution is not an apple that falls when it is ripe. You have to make it fall'. Che Guevara Computing devices are now so ensconced in our lives that the notion of being deprived of one of these devices is seen as a removal of liberty.
I’ve been holidaying in Europe recently; mainly Italy and Greece, but we also managed a day in Marseille. France’s oldest and second-largest city is European City of Culture for 2013 so there is even more to see than usual.
Jim Brown was a former US serviceman who lived in Sydney from 1968 to 1972. Like a lot of people back then he was struck by the oil-on-glass pub advertising paintings which adorned most of Sydney’s pubs.
These boots were made for dancing. They are Blundstone work boots modified for tap dancing in the Sydney Olympic Games Opening Ceremony. Entering into the quirky, innovative spirit of Wallace & Gromit’s World of Invention, I selected them for display alongside the staid historic Wellington boots that came from Britain with the exhibition.
Most people don't have the patience to attempt what our recent intern, Amir Mogadam from the Universtiy of Newcastle has just finished – probably one of the most challenging jigsaws you’re ever likely to see.
Each year the Powerhouse Museum’s Regional Services Program offers a Movable Heritage Fellowship to students residing in New South Wales enrolled at any University campus. Movable Heritage refers to any natural or manufactured object of heritage significance.