‘Mouse slippers’, a label from the Powerhouse exhibition The Oopsatoreum, is one of 10 labels honoured in this year’s annual Excellence in Exhibition Label Writing Competition, an international award sponsored by the American Alliance of Museums in partnership with the Museology Graduate Program at the University of Washington, Seattle.
Inside the Collection
Our Interface exhibition unpacks some strategies employed by designers to simplify the way we use information technology (IT) tools. But surprisingly, the earliest objects in the exhibition are not IT artefacts at all but come from our decorative arts collection.
This post was written by Grace Cochrane AM, independent curator and writer, Sydney; former senior curator of Australian decorative arts and design, MAAS, Powerhouse Museum. It is very sad to hear of the death on 24 February 2015, of John Smith, a key figure in furniture designing and making in Australia for over 40 years.
On 29 November 2014, the Museum opened 'RECOLLECT: Shoes' – a new exhibition inspired by the idea of visible display storage. Comprising more than 800 shoes dating from the 1500s to now, visitors can see everything from the first pair of elastic sided boots in the world made for Queen Victoria in 1837 to designer names like Louboutin, Yves Saint Laurent and Lacroix.
The exhibition A Fine Possession: Jewellery and Identity (24 September 2014 – 20 September 2015), currently showing at the Museum, is a wonderful opportunity to showcase our previously unseen Asian jewellerry.
“At present I am concerned with certain metaphysical, psychological and social aspects of jewellery-with its ability to inform and transform'. Margaret West, 1982 * Margaret West was an influential jeweller, lecturer as well as poet and writer.
Pictured on-site, amidst the installation of A Fine Possession, Rebecca Ellis is seen positioning the mount for the neckpiece by Susan Cohn. Once the mount had been positioned and fixed into place on the fabric covered PET panel, the neckpiece was secured onto the mount.
Floral design, gouache on paper by Shirley de Vocht Shirley de Vocht (nee Martin) studied art at East Sydney Technical College and worked in a number of post-WWII Australian design and manufacturing industries.
The weapon which would conjure up a - albeit highly visceral - image World War One trench warfare would be the rifle bayonet. So much grainy footage of young men charging across no-man’s-land with bayonets fixed gives us the impression that that was the main strategy of trench battle.
The Museum of Applied Arts and Sciences holds two important photography archives related to Sydney photographer David Mist - the Studio Ten archive (92/401) acquired as a gift of the photographer in 1992, and the David Mist archive (96/44/1) acquired as a gift of the photographer under the Australian Government Taxation Incentives for the Arts program in 1996.
A lot of people were pleased when Prince Alfred Park swimming pool starred at the recent 2014 NSW architecture awards. As well as the prize gong, the Sulman Medal for public architecture, the new pool received the Lloyd Rees Award for urban design.
The Powerhouse is located in what is now the densest suburb in Australia. With 14,300 people per square kilometre Pyrmont/Ultimo packs more residents into less space than any suburb or town in the nation.