Concerns about the harmful impact of the global fashion industry on the environment and worker exploitation, particularly in the case of low priced, low quality fast fashion, has prompted the exploration of alternative ways to source materials and produce garments.
Inside the Collection
Ever wondered how to donate to a museum? Curator Tilly Boleyn reveals what to consider before you get in touch. Spring is a busy time. Flowers are blooming, lambs are frolicking and people are clearing out their sheds thinking, “I wonder if I should donate this to a museum?”.
From its very beginnings, rock n roll has argued with itself over image. Is the rock image glam, flashy, showy and gregarious? Or is it honest, dirty, working class and brash? Regardless, ‘look’ has always played a massive part in rock n roll.
The Museum of Applied Arts and Sciences recently acquired the ‘New Armor’ stool by South Korean contemporary designer Kwangho Lee, which reflects the ‘Return to Craft’ movement as featured in the Powerhouse Museum exhibition Common Good.
What were you to do if you were a woman living in a country town during the 1920s and dreamed of wearing the latest fashions from Paris? This dressmaking kit, which came to the donor from a house in Warwick, Queensland, speaks of the wide influence of Paris fashions and the audacious ‘lady overlanders’ who traversed the country showing samples and taking orders for the Swiss embroidery business, Sonderegger & Co.
A small showcase on Level 1 at the Museum shares the story of a very special little radio. Earlier this year, Red Room Company invited MAAS to contribute an object from the museum collection to the learning resource and workshop program of Poetry Object 2018.
Instantly recognisable for their distinct appearance of blue skin, white clothing and a small stature, Smurfs are a cherished worldwide children's franchise that began in Belgium in the late-1950s.
Mythical creatures, grotesque faces, writhing snakes, horse’s hooves, glinting shovels and pickaxes… all things not usually seen on walking sticks. However, the carvings of Robert Read display the potential creativity and whimsy of this part utilitarian, part fashionable item.
Shape 2017 is a showcase of year 12 student work from the syllabus areas concerned with design and technology – Design and Technology / Textiles and Design / Industrial Technology. This year MAAS has 38 fine examples on show from around New South Wales.
March 8 is International Women's Day, a global day celebrating the social, economic, cultural and political achievements of women. The day also marks a call to action for accelerating gender parity.
Colonised Australia felt it had grown into an independent, and quite sexy young adult by the 1980s. The 1988 bicentenary was a celebration of all that Europeans had acheived in Australia in 200 years. It was also a year which benefited from the optimism of the Wran NSW Labor Government - which commissioned, among other public institutions and spaces, the ingeniously designed converted power station as the new home for the Museum of Applied Arts and Sciences in Ultimo, Sydney.
In 1907, while developing an alternative to shellac, a natural resin secreted from the East Asian lac bug and used to insulate electrical cables in the early 20th century, Belgian chemist Leo Baekeland invented the world’s first mouldable synthetic polymer, called Bakelite.