The Good Design Awards 2018: Fashion Revolution Australia exhibition features four Australian labels illustrating some of the principles promoted by Fashion Revolution Australia, including considered (or conscious) sourcing of materials, upcycling and transparent supply chains.
Inside the Collection
- Collection & Research
- Inside the Collection
- Collection Resources
- MAAS Blogs
Agora is the second in a series of three annual architecture installations commissioned by the Museum of Applied Arts and Sciences. Funded by a generous private donor, the annual commission is an opportunity for MAAS to support Australian architecture and design practitioners.
The Lunar New Year is the most significant annual celebration for Chinese, Korean and Vietnamese cultures. Today (5 February 2019) marks the beginning of the Year of the Golden Pig. If you were born in 1935, 1947, 1959, 1971, 1983, 1995, 2007 or 2019 then it is your year!
Home should be a place of security, intimacy, love and family, a haven from the world. It is where we can express ourselves through the location, architecture, furnishings and decoration. But 'home' is also a site of financial burden, fracture, loss and danger - and increasingly for some, a home is simply unattainable.
The Common Good exhibition at the Powerhouse Museum explores the impact of contemporary design practice in Australia and the surrounding region, examining how designers are responding to various social, environmental and ethical challenges to affect change.
Dismantling Reigning Men took a full week of sweat, noise and dust. But from it the MAAS team has crafted a cocoon of serenity designed to celebrate the creativity and subtle complexity of Akira Isogawa, in a new exhibition which opened on 15 December 2018.
Wendy Ramshaw (1939 - 2018) was a leading contemporary British studio jeweller renowned for her innovative approach to jewellery design and production. Ramshaw emerged on the international jewellery scene in the 1970s, exerting a significant influence through inspiring exhibitions, workshops and artist residencies in countries such as the USA and Australia (1978).
Concerns about the harmful impact of the global fashion industry on the environment and worker exploitation, particularly in the case of low priced, low quality fast fashion, has prompted the exploration of alternative ways to source materials and produce garments.
Ever wondered how to donate to a museum? Curator Tilly Boleyn reveals what to consider before you get in touch. Spring is a busy time. Flowers are blooming, lambs are frolicking and people are clearing out their sheds thinking, “I wonder if I should donate this to a museum?”.
From its very beginnings, rock n roll has argued with itself over image. Is the rock image glam, flashy, showy and gregarious? Or is it honest, dirty, working class and brash? Regardless, ‘look’ has always played a massive part in rock n roll.
The Museum of Applied Arts and Sciences recently acquired the ‘New Armor’ stool by South Korean contemporary designer Kwangho Lee, which reflects the ‘Return to Craft’ movement as featured in the Powerhouse Museum exhibition Common Good.
What were you to do if you were a woman living in a country town during the 1920s and dreamed of wearing the latest fashions from Paris? This dressmaking kit, which came to the donor from a house in Warwick, Queensland, speaks of the wide influence of Paris fashions and the audacious ‘lady overlanders’ who traversed the country showing samples and taking orders for the Swiss embroidery business, Sonderegger & Co.