The Common Good exhibition at the Powerhouse Museum explores the impact of contemporary design practice in Australia and the surrounding region, examining how designers are responding to various social, environmental and ethical challenges to affect change.
Inside the Collection
Dismantling Reigning Men took a full week of sweat, noise and dust. But from it the MAAS team has crafted a cocoon of serenity designed to celebrate the creativity and subtle complexity of Akira Isogawa, in a new exhibition which opened on 15 December 2018.
The Conservation department plays a crucial role in the preparation of the Museum's exhibitions. From the early stages of the exhibition development Conservators work closely with other members of the exhibition team, especially Curators, Designers and Registrars.
Of 10,000 or so objects in the Museum’s Asian collections, only about 10% have ever been on display. The exhibition titled Reflections of Asia: Collectors and Collections showcases over 500 objects from this extensive collection, developed over 140 years, including wood and lacquerwork, ceramics, metalwork, dress and textiles, contemporary fashion and art.
Concerns about the harmful impact of the global fashion industry on the environment and worker exploitation, particularly in the case of low priced, low quality fast fashion, has prompted the exploration of alternative ways to source materials and produce garments.
Some of the rewarding aspects of the exhibition development process involve content development such as writing the storyline and text for labels and theme panels, and researching and selecting objects.
The four-week installation of the touring exhibition Reigning Men: Fashion in Menswear, 1715-2015 was one of the most complex that I have ever been involved in. At the Museum of Applied Arts and Sciences (MAAS), we displayed over 130 ensembles and single garments, primarily from the permanent collection of the Los Angeles County Museum of Art (LACMA), which was an edited version of the original exhibition first shown at LACMA in 2016.
Marriage has been practiced in myriad forms across time and communities. It has no universal model and is in a frequent state of flux as it adjusts and responds to the changing political, economic and social milieu.
The Experimentations exhibition opened in 1988 and has proved popular with our younger visitors ever since. Aimed at children aged 5-12 years, their parents, teachers and carers, the exhibition is designed to be an informal learning space that inspires curiosity and questioning, and allows visitors to play and experiment with materials and processes.
Project Manager Kate Ford and Curator Glynis Jones recently installed Museum of Applied Arts and Sciences (MAAS) travelling exhibition Faith Fashion Fusion: Muslim Women’s Style in Australia at the Islamic Arts Museum Malaysia (IAMM) in Kuala Lumpur.
Love takes us on a journey. Today I'd like to take you on a heartfelt journey exploring some experiences of women with Greek heritage unearthed during my research for a migration and community story for the Love Is…Australian Wedding Fashion exhibition.
I recently acquired a classic 1965 BMW R50 model 500cc touring and sports motorcycle. It's in wonderful condition and has been lovingly owned and maintained by the donors, Charis and George Schwarz, in Sydney for over 50 years.