Written by Arul Baskaran and Sarah Reeves This exhibition has now closed. Skip to the end of the post to watch a video capture of the Columbia VR experience. 21 July 1969. The world watches as Neil Armstrong and Buzz Aldrin explore the Lunar surface, after their history-making Moon Landing.
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“We look at art as a way of thinking – and because of that it can always change.” - Hesam Rahmanian In March 2020, the Powerhouse Museum launched the results of an exciting collaboration with the 22nd Biennale of Sydney, NIRIN.
Dubai-based artists Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian work collectively to create expansive installations composed of artworks and artefacts. Taking the form of visual poetry by incorporating and disorganising objects from the Powerhouse Museum collection, this project, includes artefacts such as Skylab space debris, a donkey’s hoof, anatomical models, ceramics, and textiles.
The Museum of Applied Arts and Sciences has just opened a display with striking objects, photographs and archival material from its extensive decorative art and design collections, to celebrate the centenary of the Bauhaus, the most influential 20th century school of design.
Last month the Museum opened a new exhibition commemorating the 50th anniversary of the Apollo 11 Moon Landing. As the curator, I’ve spent the past 12-18 months developing this exhibition, which explores the events of 1969, and celebrates what is possibly the greatest scientific achievement of all time.
I recently had the privilege of seeing the exhibition Jukebox Jewkbox! A Century on Shellac and Vinyl at the Sydney Jewish Museum in Darlinghurst. The exhibition explores the phenomenon of mass-produced music, performance and comedy on the mediums of shellac and vinyl, and the enormous part Jewish people have played, and continue to play in the industry.
The Lunar New Year is the most significant annual celebration for Chinese, Korean and Vietnamese cultures. Today (5 February 2019) marks the beginning of the Year of the Golden Pig. If you were born in 1935, 1947, 1959, 1971, 1983, 1995, 2007 or 2019 then it is your year!
Home should be a place of security, intimacy, love and family, a haven from the world. It is where we can express ourselves through the location, architecture, furnishings and decoration. But 'home' is also a site of financial burden, fracture, loss and danger - and increasingly for some, a home is simply unattainable.
The Common Good exhibition at the Powerhouse Museum explores the impact of contemporary design practice in Australia and the surrounding region, examining how designers are responding to various social, environmental and ethical challenges to affect change.
Dismantling Reigning Men took a full week of sweat, noise and dust. But from it the MAAS team has crafted a cocoon of serenity designed to celebrate the creativity and subtle complexity of Akira Isogawa, in a new exhibition which opened on 15 December 2018.
The Conservation department plays a crucial role in the preparation of the Museum's exhibitions. From the early stages of the exhibition development Conservators work closely with other members of the exhibition team, especially Curators, Designers and Registrars.
Of 10,000 or so objects in the Museum’s Asian collections, only about 10% have ever been on display. The exhibition titled Reflections of Asia: Collectors and Collections showcases over 500 objects from this extensive collection, developed over 140 years, including wood and lacquerwork, ceramics, metalwork, dress and textiles, contemporary fashion and art.