Love takes us on a journey. Today I'd like to take you on a heartfelt journey exploring some experiences of women with Greek heritage unearthed during my research for a migration and community story for the Love Is…Australian Wedding Fashion exhibition.
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I recently acquired a classic 1965 BMW R50 model 500cc touring and sports motorcycle. It's in wonderful condition and has been lovingly owned and maintained by the donors, Charis and George Schwarz, in Sydney for over 50 years.
In late 2016 the exhibition Gravity (and Wonder) explored the human fascination with gravity, space and time through scientific investigations and artistic explorations. In a partnership between Penrith Regional Gallery & The Lewers Bequest and the Museum of Applied Arts and Sciences curators Dr Lee-Anne Hall and Katie Dyer developed a three month program of events & workshops to support the exhibition.
HIV is still here - and it's on the move For folk who lived through the 1980s, AIDS was an omnipresent gargoyle. The disease was part of the contemporary culture. It had insinuated itself into current affairs stories and commercials, into youth culture, gay culture, tea-room discussions, into jokes, bullying; and into people’s bodies.
Sometimes luminaries in popular culture are called 'legends'. A legend is a story that has been handed down and is popularly regarded as historical but not authenticated. The legend of Annette Kellerman goes like this -- born in Marrickville, she recovered from polio as a child, invented the one-piece swimsuit, was arrested in Boston for wearing it and became a Hollywood movie star.
Visitors to the recently opened Icons exhibition will notice two large screens installed in one of the title walls, featuring rotating 3D models of objects from the exhibition. The screens invite visitors to “touch and explore” the 3D models.
I am still looking for my chest of gold in a cool dripping sea cave -- though a professional mermaid for the movies, I still wait to see my first real one sitting on a damp grey rock combing her long green hair.1 The exhibition Million Dollar Mermaid: Annette Kellerman features a visual installation projected onto a set, creating an immersive, sensory environment.
Matthew Connell, was lead curator on Out of Hand. Here he discusses his approach to the exhibition with fellow MAAS curator Anni Turnbull. What is the exhibition about? It’s a look at the world of digital manufacturing and an acknowledgement that the digital world is now imposing itself on the material world in a way that breaks down a long standing dichotomy.
Anna Tregloan has designed staging and costumes for a wide variety of independent theatre companies and artists in Australia and overseas. Here she discusses her approach to the exhibition design for Collette Dinnigan: Unlaced with MAAS fashion curator, Glynis Jones.
Annette Kellerman's successes in a number of fields are extraordinary. Born in Sydney in 1886, she became an international celebrity as an endurance swimmer, a highly paid entertainer of the vaudeville stage and a star of American silent films. She played a key role in popularising the modern one-piece swimsuit for women, became a successful businesswoman and wrote self-help books about health, beauty and exercise.
One of the greatest pleasures when developing a museum exhibition is collaborating with a breadth of highly talented creatives. In the case of Collette Dinnigan: Unlaced, Kat Bond and Fil Bartkowiak in our design team collaborated with Stewart Walton, an artist, illustrator and furniture designer based in England to create our paper doll making activity space.
Iconic fashion designer Collette Dinnigan has been creating beautiful clothing for more than 25 years.