‘Mouse slippers’, a label from the Powerhouse exhibition The Oopsatoreum, is one of 10 labels honoured in this year’s annual Excellence in Exhibition Label Writing Competition, an international award sponsored by the American Alliance of Museums in partnership with the Museology Graduate Program at the University of Washington, Seattle.
- Collection & Research
- Inside the Collection
- Collection Resources
- MAAS Blogs
Once proudly known as the great Aussie cossie, Speedo swimwear occupies an important place in Australia’s sporting and manufacturing heritage. From the company’s beginnings in the 1920s, its aim was to excel in the manufacture of competitive swimwear.
This rather majestic black and white photographic portrait of Australian artist, designer and photographer Dahl Collings (Dulcie May Wilmott 1910-1988) was shot by her husband Geoffrey Collings (1905-2000) during a trip to Stonehenge around 1936.
After leaving Ridge's Royal Tycoon Circus in 1880 the Wirth brothers established themselves as the Star Troupe of Varieties. With just six artists, including Japanese acrobats and a German comedian, they assembled a program of acrobatics, clowning, contortion, spinning hats, boxing and comic songs.
On 29 November 2014, the Museum opened 'RECOLLECT: Shoes' – a new exhibition inspired by the idea of visible display storage. Comprising more than 800 shoes dating from the 1500s to now, visitors can see everything from the first pair of elastic sided boots in the world made for Queen Victoria in 1837 to designer names like Louboutin, Yves Saint Laurent and Lacroix.
Floral design, gouache on paper by Shirley de Vocht Shirley de Vocht (nee Martin) studied art at East Sydney Technical College and worked in a number of post-WWII Australian design and manufacturing industries.
The Australian Dress Register (ADR) is a website that celebrates men’s, women’s and children’s dress that has an Australian provenance. Museums and private collectors are encouraged to research their garments and share the stories and photographs on the Register.
Whether frock, gown, robe or shift, regalia or rags, our clothes are and have always been culturally significant. We dress ourselves because it is custom, but also for acceptance, for status and out of caprice.
It was gold rush day at my daughter’s school. One of the most exciting days of her year – damper making, tent building and gold panning – all without even leaving the playground. The most exciting part though was the chance to dress up.
Back in 1992, when Strictly Ballroom had just been released its producer Tristram Miall donated the movie costumes to the Powerhouse. Tristram was aware that this was not just any movie wardrobe. The costumes are the product of lengthy research – our collection also holds albums of snapshots taken at Dance Sport events while the costumes were being designed.
This very unusual fur coat was donated to the museum in 1993. Curator, Glynis Jones recalls, "I remember visiting the donor, Mrs Buckland, she sat me down in her lounge room and sipping a small glass of whisky, related the wonderful story of her coat.
I am pretty excited to share these floral brooches with you by contemporary studio jeweller Roseanne Bartley. Not only are they recent acquisitions for the Museum’s permanent collection, but they will also be displayed in our exciting and upcoming jewellery exhibition, due to open September 2014.