Matthew Connell, was lead curator on Out of Hand. Here he discusses his approach to the exhibition with fellow MAAS curator Anni Turnbull. What is the exhibition about? It’s a look at the world of digital manufacturing and an acknowledgement that the digital world is now imposing itself on the material world in a way that breaks down a long standing dichotomy.
- Collection & Research
- Inside the Collection
- Collection Resources
- MAAS Blogs
Iconic fashion designer Collette Dinnigan has been creating beautiful clothing for more than 25 years. On the eve of our new exhibition, Collette Dinnigan: Unlaced, she spoke to MAAS curator Glynis Jones, about her background, inspiration and changes in the industry throughout her career.
We've amassed some beards in our collection! Curator, Rebecca Evans, takes us through her favourites. 1. Christmas card by Dahl and Geoffrey Collings This card (at top) features a cartoon of a giant, a representation of iconic Australian actor Chips Rafferty, sitting on a stool having his huge beard combed by a tiny female figure, Quentin Rafferty.
What is your name? Rebecca Evans What is your speciality area?
When you walk through the Love Lace exhibition its apparent how important lighting is to the successful display of these works. The Museum electrician Peter Hermon says This was a unique exhibition to work on, we had more time to work on the lighting (and wiring) and the nature of the work was different, shadows were really important and the lighting needs more particular.
A textile artist from the Cook Islands, Andrea Eimke has spent the last week installing her work in the Love Lace exhibition. With the title ‘Third Space II’ the work is made up of thirty five hanging panels of tapa (bark cloth), cotton gauze, interfacing, thread and soluble stabilizer.
Much work has been going on in the Conservation department in preparation for the upcoming Love Lace International Lace Award and exhibition. There are some wonderful pieces in the exhibition and the variety of materials is amazing.
Why does hair appear in the most unlikely places? Like this man's shirt from the Cameroons. Or worked into this unique needle lace panel from the 1600s. That hair has been readily available as a material is one answer.
With the continuing generous support of ADFAS, Ku-ring-gai branch, the Powerhouse Museum has recently acquired what is undoubtedly the most striking glass vessel from Giles Bettison’s ‘Lace’ series.