Dubai-based artists Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian work collectively to create expansive installations composed of artworks and artefacts. Taking the form of visual poetry by incorporating and disorganising objects from the Powerhouse Museum collection, this project, includes artefacts such as Skylab space debris, a donkey’s hoof, anatomical models, ceramics, and textiles.
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The Museum staff have a huge job caring for our enormous collection of over 500,000 objects. Our team includes experts in a vast range of areas, including: fashion, health and medicine, architecture, engineering, sciences, design, decorative arts, technologies and contemporary culture.
How many hands does it take to create a kantha tapestry like this? In this instance, it was the work of eight women embroidering every day for one year. Threading not only a story of traditional motifs, but also the international recognition of an ancient craft and women’s socio-economic emancipation in Bangladesh and West Bengal.
25 August marks the 200th anniversary of the death of inventor James Watt. To mark the occasion, we have invited a guest post by Debbie Rudder, an expert on Watt, to explore his life and scientific contributions.
The Powerhouse Museum collection contains material relating to architecture and the built environment, of local, national and international significance. The collection includes scale models, design archives, plans, drawings, photography and interior fittings, with projects ranging from iconic buildings by award winning, internationally recognised Australian architects Glenn Murcutt, Harry Seidler and John Andrews, to social housing and civic projects of public interest. Architectural models form an important part of the architecture and built environment collection, and the Museum has many fine examples of conceptual, working, and large-scale presentation models that illustrate this craft.
The Museum of Applied Arts and Sciences has just opened a display with striking objects, photographs and archival material from its extensive decorative art and design collections, to celebrate the centenary of the Bauhaus, the most influential 20th century school of design.
Name: Karen Biddle Role: Registrar / Collection Database Administrator What is the main focus of your role at MAAS? My main focus is the MAAS collection database (called 'EMu'), for which I manage user group permissions, report design, QA work, large data queries and exports, periodic statistics, and providing training/support to users for everyday usage queries.
Held annually at the Powerhouse Museum since 1993, the Student Fashion display showcases the work of Sydney’s top local fashion design graduates, providing insight into the skills and potential of the next generation of Australian designers.
Last year, we introduced to our readers the first glass and ceramic objects acquired for the MAAS collection with funds from the remarkably generous Barry Willoughby Bequest. We are delighted to share the news about two more recent acquisitions enabled by Willoughby’s passion for Australian studio glass and ceramics as expressed in his will.
In March 2019, one of the largest global environmental protests took place, with at least 1.6 million people coming together in over 125 countries to protest inaction on climate change. The Global Climate Strike was inspired by 16-year-old Swedish student Greta Thunberg, who started an international movement after sitting outside Swedish parliament in August 2018 with a hand-painted banner that read ‘Skolstrejk för klimatet’ (‘School strike for the climate’).
Guest post by Bernard Singleton, Curator Bernard Singleton is a curator and craftsman from the Cape York region of Australia. He has worked with UMI Arts, Cairns Art Gallery and the Cairns Indigenous Art Fair.
Shape 2018 is a showcase of exceptional year 12 student work from the syllabus areas focused on design and technology – Design and Technology / Textiles and Design / Industrial Technology. This year MAAS has 37 examples on show from around New South Wales.