Name: Karen Biddle Role: Registrar / Collection Database Administrator What is the main focus of your role at MAAS? My main focus is the MAAS collection database (called 'EMu'), for which I manage user group permissions, report design, QA work, large data queries and exports, periodic statistics, and providing training/support to users for everyday usage queries.
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Held annually at the Powerhouse Museum since 1993, the Student Fashion display showcases the work of Sydney’s top local fashion design graduates, providing insight into the skills and potential of the next generation of Australian designers.
Last year, we introduced to our readers the first glass and ceramic objects acquired for the MAAS collection with funds from the remarkably generous Barry Willoughby Bequest. We are delighted to share the news about two more recent acquisitions enabled by Willoughby’s passion for Australian studio glass and ceramics as expressed in his will.
In March 2019, one of the largest global environmental protests took place, with at least 1.6 million people coming together in over 125 countries to protest inaction on climate change. The Global Climate Strike was inspired by 16-year-old Swedish student Greta Thunberg, who started an international movement after sitting outside Swedish parliament in August 2018 with a hand-painted banner that read ‘Skolstrejk för klimatet’ (‘School strike for the climate’).
Guest post by Bernard Singleton, Curator Bernard Singleton is a curator and craftsman from the Cape York region of Australia. He has worked with UMI Arts, Cairns Art Gallery and the Cairns Indigenous Art Fair.
Shape 2018 is a showcase of exceptional year 12 student work from the syllabus areas focused on design and technology – Design and Technology / Textiles and Design / Industrial Technology. This year MAAS has 37 examples on show from around New South Wales.
Name: Denise Larcombe Which of the Museum’s sites do you volunteer at: Powerhouse Museum How long have you been volunteering at MAAS: Since 2007 What’s your background: After Studying Industrial Design at East Sydney Technical College I worked in lighting Design and then joined Crown Crystal Glass as an Industrial Designer in 1967.
The Good Design Awards 2018: Fashion Revolution Australia exhibition features four Australian labels illustrating some of the principles promoted by Fashion Revolution Australia, including considered (or conscious) sourcing of materials, upcycling and transparent supply chains.
Agora is the second in a series of three annual architecture installations commissioned by the Museum of Applied Arts and Sciences. Funded by a generous private donor, the annual commission is an opportunity for MAAS to support Australian architecture and design practitioners.
The Education and Digital Learning team at MAAS produce a wide variety of experiences exploring the Museum’s collection and disciplines for school audiences, including programs for teachers. Keeping in touch with teachers and teacher communities is important to us. Not only to build and maintain relationships, but to keep up to date with issues facing teachers, their ideas on teaching and learning, and to get regular reality checks on life at school.
As a third year university student studying an arts degree, the same inevitable and dreaded question often arises in daily conversations; “oh, so what kind of job are you hoping to get with that degree?” My answer has always been that I would like to work as a curator or conservator in museums and art galleries, as I enjoy uncovering the history of objects and understanding what they can tell us about the past.
Wendy Ramshaw (1939 - 2018) was a leading contemporary British studio jeweller renowned for her innovative approach to jewellery design and production. Ramshaw emerged on the international jewellery scene in the 1970s, exerting a significant influence through inspiring exhibitions, workshops and artist residencies in countries such as the USA and Australia (1978).