Guest post by Bernard Singleton, Curator Bernard Singleton is a curator and craftsman from the Cape York region of Australia. He has worked with UMI Arts, Cairns Art Gallery and the Cairns Indigenous Art Fair.
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Shape 2018 is a showcase of exceptional year 12 student work from the syllabus areas focused on design and technology – Design and Technology / Textiles and Design / Industrial Technology. This year MAAS has 37 examples on show from around New South Wales.
Name: Denise Larcombe Which of the Museum’s sites do you volunteer at: Powerhouse Museum How long have you been volunteering at MAAS: Since 2007 What’s your background: After Studying Industrial Design at East Sydney Technical College I worked in lighting Design and then joined Crown Crystal Glass as an Industrial Designer in 1967.
The Good Design Awards 2018: Fashion Revolution Australia exhibition features four Australian labels illustrating some of the principles promoted by Fashion Revolution Australia, including considered (or conscious) sourcing of materials, upcycling and transparent supply chains.
Agora is the second in a series of three annual architecture installations commissioned by the Museum of Applied Arts and Sciences. Funded by a generous private donor, the annual commission is an opportunity for MAAS to support Australian architecture and design practitioners.
The Education and Digital Learning team at MAAS produce a wide variety of experiences exploring the Museum’s collection and disciplines for school audiences, including programs for teachers. Keeping in touch with teachers and teacher communities is important to us. Not only to build and maintain relationships, but to keep up to date with issues facing teachers, their ideas on teaching and learning, and to get regular reality checks on life at school.
As a third year university student studying an arts degree, the same inevitable and dreaded question often arises in daily conversations; “oh, so what kind of job are you hoping to get with that degree?” My answer has always been that I would like to work as a curator or conservator in museums and art galleries, as I enjoy uncovering the history of objects and understanding what they can tell us about the past.
Wendy Ramshaw (1939 - 2018) was a leading contemporary British studio jeweller renowned for her innovative approach to jewellery design and production. Ramshaw emerged on the international jewellery scene in the 1970s, exerting a significant influence through inspiring exhibitions, workshops and artist residencies in countries such as the USA and Australia (1978).
From popular culture to mainstream media to discourse on the post-, trans- and non- human, the human impact of current technological change is palpable. The exhibition Human non Human responds to this sense of anxiousness and exhilaration.
Bequests have played a major part in the development of the Museum’s collection and have provided us with some of our most important and best-loved objects. Last year MAAS received a particularly generous bequest of objects and funds from Barry John Willoughby, a passionate Sydney collector of decorative arts.
The Museum of Applied Arts and Sciences has just launched a new publication, Time and Memory, the second in the MAAS collection series which is supported by the Copyright Agency Cultural Fund. In his introductory essay ‘The Shape of Time’, Principal Curator Matthew Connell places the Museum’s collection within the context of humanity’s understanding and experience of time, and our relationship with memory.
Ever wondered how to donate to a museum? Curator Tilly Boleyn reveals what to consider before you get in touch. Spring is a busy time. Flowers are blooming, lambs are frolicking and people are clearing out their sheds thinking, “I wonder if I should donate this to a museum?”.