The Education and Digital Learning team at MAAS produce a wide variety of experiences exploring the Museum’s collection and disciplines for school audiences, including programs for teachers. Keeping in touch with teachers and teacher communities is important to us. Not only to build and maintain relationships, but to keep up to date with issues facing teachers, their ideas on teaching and learning, and to get regular reality checks on life at school.
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As a third year university student studying an arts degree, the same inevitable and dreaded question often arises in daily conversations; “oh, so what kind of job are you hoping to get with that degree?” My answer has always been that I would like to work as a curator or conservator in museums and art galleries, as I enjoy uncovering the history of objects and understanding what they can tell us about the past.
Wendy Ramshaw (1939 - 2018) was a leading contemporary British studio jeweller renowned for her innovative approach to jewellery design and production. Ramshaw emerged on the international jewellery scene in the 1970s, exerting a significant influence through inspiring exhibitions, workshops and artist residencies in countries such as the USA and Australia (1978).
From popular culture to mainstream media to discourse on the post-, trans- and non- human, the human impact of current technological change is palpable. The exhibition Human non Human responds to this sense of anxiousness and exhilaration.
Bequests have played a major part in the development of the Museum’s collection and have provided us with some of our most important and best-loved objects. Last year MAAS received a particularly generous bequest of objects and funds from Barry John Willoughby, a passionate Sydney collector of decorative arts.
The Museum of Applied Arts and Sciences has just launched a new publication, Time and Memory, the second in the MAAS collection series which is supported by the Copyright Agency Cultural Fund. In his introductory essay ‘The Shape of Time’, Principal Curator Matthew Connell places the Museum’s collection within the context of humanity’s understanding and experience of time, and our relationship with memory.
Ever wondered how to donate to a museum? Curator Tilly Boleyn reveals what to consider before you get in touch. Spring is a busy time. Flowers are blooming, lambs are frolicking and people are clearing out their sheds thinking, “I wonder if I should donate this to a museum?”.
Name: Nina Earl Role: Assistant Curator What is your area of expertise? All things science but currently I am reading and learning about 3D printing. The exciting part is that I get to visit research laboratories and see what is happening in the speculative research of this area.
I'm currently finishing up a 3-month internship in the Curatorial department of the Museum of Applied Arts and Sciences (MAAS). I embarked on this three-month internship without any background in museum work or studies.
Week 11 as an intern at the Museum of Applied Arts and Sciences. No sign of life in the objects. Starting to think that basing my expectations on ‘Night at the Museum’ was unrealistic. Although, I have only been here during the day, so I won’t write that off just yet.
The Museum staff have a huge job caring for our enormous collection of over 500,000 objects. Our team includes experts in a vast range of areas, including: fashion, health and medicine, architecture, engineering, sciences, design, decorative arts, technologies and contemporary culture.
When we think of the Industrial Revolution in Britain with its steam engines powering machines, the mass production of goods, thousands of poor farming families leaving the countryside to work in 'satanic' mills and factories and the rise of the wealthy middle class, it's hard to see how this could be applied to Australia.