The Museum staff have a huge job caring for our enormous collection of over 500,000 objects. Our team includes experts in a vast range of areas, including: fashion, health and medicine, architecture, engineering, sciences, design, decorative arts, technologies and contemporary culture.
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Happy National Science Week and Sydney Science Festival everyone! This week my science colleagues have taken over the blog to give you a bit more of an understanding about who we are and what we do. When people find out that I’m a science curator their next question is usually “so, what do you actually do?”.
It’s National Science Week! Tune in each day to meet MAAS’ science curators, discover objects from our wonderful science collection and find out what a science curator actually does in a day. To start off National Science week we interview the Science Curators of MAAS and find out what they love about working in a Museum.
Over the last six months a project team at the Museum has been hard at work redesigning a key part of the Museum’s digital offer – the MAAS online collection website. We're pleased to announce the site is now live and available at https://collection.maas.museum/.
Why would a museum collect 3D printed objects? To answer this question it’s important to think about why museums collect anything at all. Museum collections, on the whole, show a deep, human preoccupation with material culture - the things that surround us.
Matthew Connell, was lead curator on Out of Hand. Here he discusses his approach to the exhibition with fellow MAAS curator Anni Turnbull. What is the exhibition about? It’s a look at the world of digital manufacturing and an acknowledgement that the digital world is now imposing itself on the material world in a way that breaks down a long standing dichotomy.
Our curators have a huge job caring for our enormous and diverse collection of over 500,000 objects! Their areas of expertise are as diverse and interesting as the scope of the Museum's collection.
Richard Neville, author, journalist, social commentator and co-founder of Oz magazine sadly passed away on Sunday 4 September. I recall Richard visiting the Museum around the time he was writing his autobiography, Hippie, Hippie, Shake: The Dreams, the Trips, the Trials, the Love-ins, the Screw ups—the Sixties (William Heinemann, 1995).
I have been lucky to gain a place as a volunteer two years ago with MAAS. More recently, I have had the pleasure of joining the MAAS ‘David Mist Digitisation Project’ team, as part of my Master in Museum and Heritage Studies at the University of Sydney.
Anna Tregloan has designed staging and costumes for a wide variety of independent theatre companies and artists in Australia and overseas. Here she discusses her approach to the exhibition design for Collette Dinnigan: Unlaced with MAAS fashion curator, Glynis Jones.
One of the greatest pleasures when developing a museum exhibition is collaborating with a breadth of highly talented creatives. In the case of Collette Dinnigan: Unlaced, Kat Bond and Fil Bartkowiak in our design team collaborated with Stewart Walton, an artist, illustrator and furniture designer based in England to create our paper doll making activity space.
Iconic fashion designer Collette Dinnigan has been creating beautiful clothing for more than 25 years.