Clothes we wear embody a past no matter how old or new they are. An intriguing Victorian wedding dress made of silk taffeta was selected for Love Is … Australian Wedding Fashion. This mulberry coloured dress (Fig.1) was worn by a bride in Sydney in 1887.
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Visitors to the recently opened Icons exhibition will notice two large screens installed in one of the title walls, featuring rotating 3D models of objects from the exhibition. The screens invite visitors to “touch and explore” the 3D models.
Matthew Connell, was lead curator on Out of Hand. Here he discusses his approach to the exhibition with fellow MAAS curator Anni Turnbull. What is the exhibition about? It’s a look at the world of digital manufacturing and an acknowledgement that the digital world is now imposing itself on the material world in a way that breaks down a long standing dichotomy.
Yesterday I took a stroll along Sydney's newest pedestrian walkway, The Goods Line. It opened last Sunday (30 August 2015) and goes from the Ultimo Road railway bridge to the Museum's new entrance in Macarthur Street, Ultimo, an inner Sydney suburb.
It was Henry Ford's dream to "democratise the automobile" by not only making it available to the rich but to everyone. He did this by producing the inexpensive Model T, a car which took the world by storm and was a significant invention during the Industrial Revolution.
On Wednesday, 15 July 2015, museums around the world are sharing #DisabilityStories found in their collections. We're joining the conversation with this post by MAAS Curator, Damian McDonald, who details the technologies used in prosthetics in our collection: The use of prosthetics dates back to at least 300 BCE, the date of a Roman bronze leg that was excavated from a grave in Capua, Italy.
While visiting Sydney, German born American design luminary and provocateur Hartmut Esslinger set aside time to visit the Museum for the second time in six months and present his views on design. Convergent design and originality have long underpinned Hartmut’s practice since his early days as founder of Frogdesign.
Our Interface exhibition unpacks some strategies employed by designers to simplify the way we use information technology (IT) tools. But surprisingly, the earliest objects in the exhibition are not IT artefacts at all but come from our decorative arts collection.
This space age looking piece of domestic technology, reminiscent of Mr Squiggle's rocket, is a manually operated washing machine made in Melbourne by Echberg, Wolter and Company in about 1879 and marketed as the
Restoration of the sailing boat that made the first single handed voyage to Antarctica Dr David Lewis was a courageous sailor, an extra-ordinary navigator and an adventurer with big dreams. He was the first navigator in modern times to cross the Pacific Ocean without using instruments, following a legendary Maori course from Tahiti to New Zealand.
Every now and again when working with a Museum’s collection, you will come across an object that was acquired so long ago that little is known about its provenance. There are a few meagre clues to help uncover what you hope will turn out to be an enriching and surprising story, something that shows that this piece is special.
As Maurice Guillaux recovered from the August 1 crash of his aircraft (see Part 9 of this story), war broke out in Europe, plunging that continent into the conflict that would become known as The Great War.