The Museum of Applied Arts and Sciences has just launched a new publication, Time and Memory, the second in the MAAS collection series which is supported by the Copyright Agency Cultural Fund. In his introductory essay ‘The Shape of Time’, Principal Curator Matthew Connell places the Museum’s collection within the context of humanity’s understanding and experience of time, and our relationship with memory.
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Concerns about the harmful impact of the global fashion industry on the environment and worker exploitation, particularly in the case of low priced, low quality fast fashion, has prompted the exploration of alternative ways to source materials and produce garments.
Ever wondered how to donate to a museum? Curator Tilly Boleyn reveals what to consider before you get in touch. Spring is a busy time. Flowers are blooming, lambs are frolicking and people are clearing out their sheds thinking, “I wonder if I should donate this to a museum?”.
Name: Nina Earl Role: Assistant Curator What is your area of expertise? All things science but currently I am reading and learning about 3D printing. The exciting part is that I get to visit research laboratories and see what is happening in the speculative research of this area.
From its very beginnings, rock n roll has argued with itself over image. Is the rock image glam, flashy, showy and gregarious? Or is it honest, dirty, working class and brash? Regardless, ‘look’ has always played a massive part in rock n roll.
I'm currently finishing up a 3-month internship in the Curatorial department of the Museum of Applied Arts and Sciences (MAAS). I embarked on this three-month internship without any background in museum work or studies.
Week 11 as an intern at the Museum of Applied Arts and Sciences. No sign of life in the objects. Starting to think that basing my expectations on ‘Night at the Museum’ was unrealistic. Although, I have only been here during the day, so I won’t write that off just yet.
Some of the rewarding aspects of the exhibition development process involve content development such as writing the storyline and text for labels and theme panels, and researching and selecting objects.
The Museum staff have a huge job caring for our enormous collection of over 500,000 objects. Our team includes experts in a vast range of areas, including: fashion, health and medicine, architecture, engineering, sciences, design, decorative arts, technologies and contemporary culture.
Back in January, the Catalyst team from the ABC approached us about using some of the Museum's clocks in an upcoming episode of their show. They were producing an episode entitled ‘How To Build A Time Machine', which would delve into the nature of time, whether time travel could ever become a reality, and what rules you'd want to follow if you did indeed find yourself in possession of a working time machine.
When we think of the Industrial Revolution in Britain with its steam engines powering machines, the mass production of goods, thousands of poor farming families leaving the countryside to work in 'satanic' mills and factories and the rise of the wealthy middle class, it's hard to see how this could be applied to Australia.
After the hardship and deprivation of the 1930s and the anxiety and rationing of the 1940s, Australia experienced great optimism, growth and prosperity in the 1950s. During this decade three Australian-made products were manufactured which became icons in our cultural history, Holden cars, Victa lawnmowers and Sunbeam Mixmasters.