Matthew Connell, was lead curator on Out of Hand. Here he discusses his approach to the exhibition with fellow MAAS curator Anni Turnbull. What is the exhibition about? It’s a look at the world of digital manufacturing and an acknowledgement that the digital world is now imposing itself on the material world in a way that breaks down a long standing dichotomy.
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Today is the second largest festival day, across Asia after Lunar New Year’s Day. Known as the Moon Festival Day or Mid-Autumn Festival Day, it is the fifteenth day of the Eighth month in the lunar calendar.
Our curators have a huge job caring for our enormous and diverse collection of over 500,000 objects! Their areas of expertise are as diverse and interesting as the scope of the Museum's collection.
Richard Neville, author, journalist, social commentator and co-founder of Oz magazine sadly passed away on Sunday 4 September. I recall Richard visiting the Museum around the time he was writing his autobiography, Hippie, Hippie, Shake: The Dreams, the Trips, the Trials, the Love-ins, the Screw ups—the Sixties (William Heinemann, 1995).
I have been lucky to gain a place as a volunteer two years ago with MAAS. More recently, I have had the pleasure of joining the MAAS ‘David Mist Digitisation Project’ team, as part of my Master in Museum and Heritage Studies at the University of Sydney.
Anna Tregloan has designed staging and costumes for a wide variety of independent theatre companies and artists in Australia and overseas. Here she discusses her approach to the exhibition design for Collette Dinnigan: Unlaced with MAAS fashion curator, Glynis Jones.
Annette Kellerman's successes in a number of fields are extraordinary. Born in Sydney in 1886, she became an international celebrity as an endurance swimmer, a highly paid entertainer of the vaudeville stage and a star of American silent films. She played a key role in popularising the modern one-piece swimsuit for women, became a successful businesswoman and wrote self-help books about health, beauty and exercise.
When you think about the Industrial Revolution steam engines, factory manufacturing and railways all spring to mind. What about the wool industry in Australia? How could sheep grazing on vast tracts of land here and the production of wool be influenced by the Industrial Revolution in Britain?
Open-air cinemas are popping up all around Sydney as our famed summer weather rolls on. An earlier form of open-air cinema, the drive-in theatre, originally became popular in the 1950s as car ownership in Australia soared.
Frocks may seem rather innocuous but dress was essential in the creation of colonial Australia. In the 19th century, appropriate attire was a marker of respectability and an expression of status, wealth and beliefs.
Have you ever wondered why the Capitol Theatre in Sydney's Haymarket is such a strange design? It was originally a fruit and veggie market! 2016 marks the theatre’s 100th birthday. What a century it’s been, filled with performing seals, elephants, mermaids and now the von Trapp children.
Last month saw the passing of Guy Buckingham (1921-2015), the man who introduced low-cost motor sport into Australia with the Formula Vee. This was an inexpensive open-wheeled racing car for beginners using a VW engine, suspension and transmission, devised in 1959.