The Museum has a wonderful collection of busts in the areas of science, fashion and art. From the slightly disconcerting 19th century French paper-mache anatomical models used to explore and demonstrate the workings of the human body to the fabulously formed torso of Chesty Bonds advertising Bonds singlets.
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As a third year university student studying an arts degree, the same inevitable and dreaded question often arises in daily conversations; “oh, so what kind of job are you hoping to get with that degree?” My answer has always been that I would like to work as a curator or conservator in museums and art galleries, as I enjoy uncovering the history of objects and understanding what they can tell us about the past.
The Common Good exhibition at the Powerhouse Museum explores the impact of contemporary design practice in Australia and the surrounding region, examining how designers are responding to various social, environmental and ethical challenges to affect change.
The beach has always been the ultimate destination for summer holidays whether it was just a few kilometres away or a long car trip. Back in the 1960s cars weren't as reliable as today. Even for a relatively short drive you'd stop off at the service station to have the oil, water and tyres checked and to pick up maps.
Was your childhood spent in the 1980s? Then the names Puggle, He Man, Fabuland, Battle Cat and Teddy Ruxpin will ring a few bells this Christmas. Fantasy toys were an element of the 1980s. The super-hero toys He-Man and his and his faithful steed, Battle Cat, were media merchandising from the Masters of the Universe (MOTU) film, cartoon and comic series.
Dismantling Reigning Men took a full week of sweat, noise and dust. But from it the MAAS team has crafted a cocoon of serenity designed to celebrate the creativity and subtle complexity of Akira Isogawa, in a new exhibition which opened on 15 December 2018.
Wendy Ramshaw (1939 - 2018) was a leading contemporary British studio jeweller renowned for her innovative approach to jewellery design and production. Ramshaw emerged on the international jewellery scene in the 1970s, exerting a significant influence through inspiring exhibitions, workshops and artist residencies in countries such as the USA and Australia (1978).
The Conservation department plays a crucial role in the preparation of the Museum's exhibitions. From the early stages of the exhibition development Conservators work closely with other members of the exhibition team, especially Curators, Designers and Registrars.
Of 10,000 or so objects in the Museum’s Asian collections, only about 10% have ever been on display. The exhibition titled Reflections of Asia: Collectors and Collections showcases over 500 objects from this extensive collection, developed over 140 years, including wood and lacquerwork, ceramics, metalwork, dress and textiles, contemporary fashion and art.
From popular culture to mainstream media to discourse on the post-, trans- and non- human, the human impact of current technological change is palpable. The exhibition Human non Human responds to this sense of anxiousness and exhilaration.
Bequests have played a major part in the development of the Museum’s collection and have provided us with some of our most important and best-loved objects. Last year MAAS received a particularly generous bequest of objects and funds from Barry John Willoughby, a passionate Sydney collector of decorative arts.
Hands up if you remember those old black and white strip films shown in Social Studies lessons at school? The 'blind monitor' would pull down the tall window blinds darkening the classroom, and a screen, usually in front of the blackboard, would be brought down.