Why would a museum collect 3D printed objects? To answer this question it’s important to think about why museums collect anything at all. Museum collections, on the whole, show a deep, human preoccupation with material culture - the things that surround us.
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Visitors to the recently opened Icons exhibition will notice two large screens installed in one of the title walls, featuring rotating 3D models of objects from the exhibition. The screens invite visitors to “touch and explore” the 3D models.
I am still looking for my chest of gold in a cool dripping sea cave -- though a professional mermaid for the movies, I still wait to see my first real one sitting on a damp grey rock combing her long green hair.1 The exhibition Million Dollar Mermaid: Annette Kellerman features a visual installation projected onto a set, creating an immersive, sensory environment.
Whenever asked ‘when, where and what’ to visit in Sydney, we know the answer: the Opera House with her pure white sails lit in moonlight and of course, our iconic Sydney Harbour Bridge that sparkles beautifully every New Year’s Eve.
Klaus Moje was one of the most distinguished and influential glass artists of his time. Living in Canberra and working as an educator as well as glass artist Moje had a profound influence on national and international glass communities.
Matthew Connell, was lead curator on Out of Hand. Here he discusses his approach to the exhibition with fellow MAAS curator Anni Turnbull. What is the exhibition about? It’s a look at the world of digital manufacturing and an acknowledgement that the digital world is now imposing itself on the material world in a way that breaks down a long standing dichotomy.
Today is the second largest festival day, across Asia after Lunar New Year’s Day. Known as the Moon Festival Day or Mid-Autumn Festival Day, it is the fifteenth day of the Eighth month in the lunar calendar.
Our curators have a huge job caring for our enormous and diverse collection of over 500,000 objects! Their areas of expertise are as diverse and interesting as the scope of the Museum's collection.
Richard Neville, author, journalist, social commentator and co-founder of Oz magazine sadly passed away on Sunday 4 September. I recall Richard visiting the Museum around the time he was writing his autobiography, Hippie, Hippie, Shake: The Dreams, the Trips, the Trials, the Love-ins, the Screw ups—the Sixties (William Heinemann, 1995).
I have been lucky to gain a place as a volunteer two years ago with MAAS. More recently, I have had the pleasure of joining the MAAS ‘David Mist Digitisation Project’ team, as part of my Master in Museum and Heritage Studies at the University of Sydney.
Anna Tregloan has designed staging and costumes for a wide variety of independent theatre companies and artists in Australia and overseas. Here she discusses her approach to the exhibition design for Collette Dinnigan: Unlaced with MAAS fashion curator, Glynis Jones.
Annette Kellerman's successes in a number of fields are extraordinary. Born in Sydney in 1886, she became an international celebrity as an endurance swimmer, a highly paid entertainer of the vaudeville stage and a star of American silent films. She played a key role in popularising the modern one-piece swimsuit for women, became a successful businesswoman and wrote self-help books about health, beauty and exercise.