From the mid 19th century, wallpapers used in Australia had predominantly been imported from Britain, but also from France, Canada and America. In 1959, Florence Broadhurst decided to buck the trend.
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On Wednesday, 15 July 2015, museums around the world are sharing #DisabilityStories found in their collections. We're joining the conversation with this post by MAAS Curator, Damian McDonald, who details the technologies used in prosthetics in our collection: The use of prosthetics dates back to at least 300 BCE, the date of a Roman bronze leg that was excavated from a grave in Capua, Italy.
For NAIDOC Week 2015, Luke Briscoe of National Indigenous TV (NITV) writes about the star naming ceremony in honour of Eddie Mabo which took place at Sydney Observatory on 3 June 2015 (Eddie Mabo Day).
Our Annual Appeal this year is focussed on acquiring the latest collection by Australian fashion label, Romance Was Born. MAAS has a long relationship with Anna Plunkett and Luke Sales, the designers behind the label, as our collection has informed their practice over many years.
On Saturday 20 June 2015 about 30 countries around the world will be celebrating International Surfing Day, Australia included. The idea is to celebrate surfing and the surfing lifestyle with contests and barbecues.
On 18 June 1815, over 140,000 soldiers fought at the Battle of Waterloo where Napoleon, the French Emperor, was finally defeated in his plans to control Europe. The victory at Waterloo by the British Duke of Wellington and Britain’s allies was the final battle of many in the long French and Napoleonic Wars spanning from 1793 to 1815.
While visiting Sydney, German born American design luminary and provocateur Hartmut Esslinger set aside time to visit the Museum for the second time in six months and present his views on design. Convergent design and originality have long underpinned Hartmut’s practice since his early days as founder of Frogdesign.
Japanese Folds (16 May-21 June 2015) is a playful exhibition showing contemporary fashion items and decorative arts from the Museum’s collection centred on the Japanese practice of folding. The exhibition provides an insight into the folding design concept with a focus on the way contemporary Japanese designers have adapted and incorporated traditional folding practices into their work.
It was both poignant and fitting that National Archaeology Week coincides with the dreadful news that Palmyra (Tadmor) in Syria - the ancient oasis city of the desert that nearly two thousand years ago was the western fulcrum of the Silk Road - is under threat of destruction.
It’s estimated that about 20,000 camels were brought from India during the second half of the 19th century to work in the vast internal areas of Australia. Accompanying the camels were Afghan drivers.
This series of posts on Australia’s own Wirth’s Circus finishes up today with only a few days left to see our exhibition, Circus Factory. Previous posts have looked at when the Wirth's circus hit the road, how we are exhibiting the Wirth's Circus collection, the family's musical beginnings, the diary of John James Wirth and how the Wirth brothers transformed from band to circus. Photographs and documents in the Museum’s collection reveal the rapid growth of Wirth’s Circus as well as a series of disasters and triumphs they encountered on their first overseas tours.
Charles Laseron was an early collector at MAAS and formative influence upon our applied arts collection. He was also present during the Gallipoli landings in 1915. In the week leading up to the ANZAC Centenary, we are publishing a series of posts detailing Laseron’s life.