Klaus Moje was one of the most distinguished and influential glass artists of his time. Living in Canberra and working as an educator as well as glass artist Moje had a profound influence on national and international glass communities.
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Matthew Connell, was lead curator on Out of Hand. Here he discusses his approach to the exhibition with fellow MAAS curator Anni Turnbull. What is the exhibition about? It’s a look at the world of digital manufacturing and an acknowledgement that the digital world is now imposing itself on the material world in a way that breaks down a long standing dichotomy.
Today is the second largest festival day, across Asia after Lunar New Year’s Day. Known as the Moon Festival Day or Mid-Autumn Festival Day, it is the fifteenth day of the Eighth month in the lunar calendar.
This evening, George Gittoes receives the 2015 Sydney Peace Prize award and presents the annual Sydney Peace Prize lecture in the Sydney Town Hall. This is the first time this Prize, Australia’s only international prize for peace, will be awarded to an artist.
Iconic fashion designer Collette Dinnigan has been creating beautiful clothing for more than 25 years.
We've amassed some beards in our collection! Curator, Rebecca Evans, takes us through her favourites. 1. Christmas card by Dahl and Geoffrey Collings This card (at top) features a cartoon of a giant, a representation of iconic Australian actor Chips Rafferty, sitting on a stool having his huge beard combed by a tiny female figure, Quentin Rafferty.
This post was written by Grace Cochrane AM, independent curator and writer, Sydney; former senior curator of Australian decorative arts and design, MAAS, Powerhouse Museum. It is very sad to hear of the death on 24 February 2015, of John Smith, a key figure in furniture designing and making in Australia for over 40 years.
Scrimshandering, Schrimshonter, schrimshander or scrimshaw as we know it, is the art of carving or decorating whale bone, whales teeth and walrus tusks. The Museum has eclectic and fascinating collections from parasols to fans, netsuke and scrimshaw.
The exhibition A Fine Possession: Jewellery and Identity (24 September 2014 – 20 September 2015), currently showing at the Museum, is a wonderful opportunity to showcase our previously unseen Asian jewellerry.
One of the most intriguing pieces on display in A Fine Possession: Jewellery and identity is this ‘Samurai Fish’ brooch created as part of Sheridan Kennedy’s PhD exhibition The Specious Voyages at the Museum of Brisbane in 2005.
If I had to single out one of my favourite pieces of Pacific ornament being showcased in A fine possession: jewellery and identity, it would have to be the wasekaseka neckpiece. Comprising twenty-six sperm whale’s teeth split lengthways, the wasekaseka is among Fiji’s best known types of jewellery that were typically made by Tongan and Samoan craftsmen who lived there.
The hei-tiki is the most famous of all Maori jewellery items. Humanoid in shape, they are typically characterised by a tilting head, huge, gaping open mouth, large, bulbous eyes, splayed hips with arms akimbo and a pronounced and often dilated vulval area (Starzeka 1996: p.43)*.