How many hands does it take to create a kantha tapestry like this? In this instance, it was the work of eight women embroidering every day for one year. Threading not only a story of traditional motifs, but also the international recognition of an ancient craft and women’s socio-economic emancipation in Bangladesh and West Bengal.
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Last year, we introduced to our readers the first glass and ceramic objects acquired for the MAAS collection with funds from the remarkably generous Barry Willoughby Bequest. We are delighted to share the news about two more recent acquisitions enabled by Willoughby’s passion for Australian studio glass and ceramics as expressed in his will.
I recently had the privilege of seeing the exhibition Jukebox Jewkbox! A Century on Shellac and Vinyl at the Sydney Jewish Museum in Darlinghurst. The exhibition explores the phenomenon of mass-produced music, performance and comedy on the mediums of shellac and vinyl, and the enormous part Jewish people have played, and continue to play in the industry.
"Public space is a great equaliser, and an ancient forum." The placing of posters in public spaces is artist Peter Drew’s way of drawing attention to Australia’s immigration issues and a direct response to the Australian government’s ‘Stop the Boats’ campaign.
Google Cultural Institute is an online platform which brings together the collections of hundreds of museums and galleries around the world. Its goal is to make these amazing collections free and accessible to all.
Agora is the second in a series of three annual architecture installations commissioned by the Museum of Applied Arts and Sciences. Funded by a generous private donor, the annual commission is an opportunity for MAAS to support Australian architecture and design practitioners.
Instantly recognisable for their distinct appearance of blue skin, white clothing and a small stature, Smurfs are a cherished worldwide children's franchise that began in Belgium in the late-1950s.
This colour printed photographic postcard shows a river scene in Cairo in the early years of the 20th century. It is one of 33 postcards sent from Frederick E Boddington and his brother George K Boddington during their years of service in World War I.
A recent loan to the Art Gallery of New South Wales (AGNSW) highlights our commitment to providing access to the collection in new and varied ways. The Museum of Applied Arts and Sciences (MAAS) has an active outgoing loans program, through which the diverse collection is made accessible to audiences across Australia and the world.
In preparation for the display of this intriguing copper-and-silver nef, one of the Museum’s late 19th century Viennese ornaments, our conservators located previously hidden maker’s marks which prompted renewed attention to the object’s origin, design and function.
This elegantly choreographed image from the studio of Kerry & Co. shows young women from the Bronte Surf Life Saving Brigade modelling three methods of ‘release’ used in lifesaving c. 1908.
Plutarch (b. 46 CE) tells the story of a man who plucks the feathers from a Nightingale and on finding nothing more than a scrawny body not worth eating, exclaims ‘You are a voice and nothing more.’ The power and potency of the voice, in this case, the human voice, is the focus of the exhibition This is a Voice which opened at the Powerhouse Museum on August 10.