Last year, we introduced to our readers the first glass and ceramic objects acquired for the MAAS collection with funds from the remarkably generous Barry Willoughby Bequest. We are delighted to share the news about two more recent acquisitions enabled by Willoughby’s passion for Australian studio glass and ceramics as expressed in his will.
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Peter Rushforth was one of Australia’s great ceramicists. Along with a number of his contemporaries, including his early mentor Allan Lowe, Rushforth shared an abiding interest in Asian, especially Chinese and Japanese ceramic aesthetics, philosophies and traditions.
Shirley Martin was a female industrial designer based in Sydney who had a long and illustrious career as a post-WWII Australian textile and ceramic designer. She is best known for designing the 1956 Melbourne Olympic Games towel, but there is much more to her remarkable design industry success story.
“Unless we tell their stories, they are not there.”* Since it began on 1 December 1988, World AIDS Day has put strong focus on the global fight to remove the threat of HIV and AIDS. First diagnosed in 1981, the HIV and AIDS epidemic remains one of the most significant public health issues, particularly in less affluent countries.
One of the most intriguing pieces on display in A Fine Possession: Jewellery and identity is this ‘Samurai Fish’ brooch created as part of Sheridan Kennedy’s PhD exhibition The Specious Voyages at the Museum of Brisbane in 2005.
Sydney's Royal Easter Show came from agricultural beginnings. In 1822 in a new and small colony the Royal Agricultural Society was formed with the intention of increasing livestock within the colony and sharing farming practices.