A small showcase on Level 1 at the Museum shares the story of a very special little radio. Earlier this year, Red Room Company invited MAAS to contribute an object from the museum collection to the learning resource and workshop program of Poetry Object 2018.
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When Deniz Tek, medical student, audiophile and guitarist met Rob Younger in the early 1970s amidst the satin flares and platform boots that then graced Sydney’s pub stages the two students could see and hear that energy, rebellion, intelligence and true social comment were sorely missing.
Clothes we wear embody a past no matter how old or new they are. An intriguing Victorian wedding dress made of silk taffeta was selected for Love Is … Australian Wedding Fashion. This mulberry coloured dress (Fig.1) was worn by a bride in Sydney in 1887.
The Australian Dress Register (ADR) is a website that celebrates men’s, women’s and children’s dress that has an Australian provenance. Museums and private collectors are encouraged to research their garments and share the stories and photographs on the Register.
Whether frock, gown, robe or shift, regalia or rags, our clothes are and have always been culturally significant. We dress ourselves because it is custom, but also for acceptance, for status and out of caprice.
As promised, the newly acquired Magnavox Odyssey gaming console went on exhibit in the Game Masters exhibition mid-February. If you’re looking for it, it’s just before ‘Arcade Heroes’ in the alcove of Game Masters; just across from the double click showcase housing similarly exciting game consoles from the Powerhouse Museum Collection.
'The revolution is not an apple that falls when it is ripe. You have to make it fall'. Che Guevara Computing devices are now so ensconced in our lives that the notion of being deprived of one of these devices is seen as a removal of liberty.
Despite being a huge star for MGM in the 1940s and 50s, Esther Williams’ most famous connection to Australia is arguably her role in the film Million Dollar Mermaid where she portrayed the early life of Annette Kellerman.
The end of the First World War saw a tremendous change in society and the horrors of war prompted people to question the rigorous social and moral values of the preceding Edwardian Era. As with any time in fashion history, contemporary concerns and thought affected fashion and so, the nineteen twenties came to symbolise in dress everything that the end of the First World War had brought about –relaxed social attitudes, greater freedoms for women, an economic and creative boom, and most importantly the turn towards ‘modernity’.
Each year the Powerhouse Museum’s Regional Services Program offers a Movable Heritage Fellowship to students residing in New South Wales enrolled at any University campus. Movable Heritage refers to any natural or manufactured object of heritage significance.
Victorian mourning tradition included from commissioning clothing, jewellery and accessories, to the more unusual traditions like post mortem photography. I was interested in taking a closer look at this forgotten practice of excess in the Australian tradition, uncovering the extensive practices of widows in the Victorian era.
One of the more recent entries to the Australian Dress Register website has been a typical 1930’s mans’ suit from the Powerhouse Museums’ own collection. The suit belonged to Ted Docker and was acquired in 1994 by donation from his son John Docker.