This post is part of an ongoing series of energy storage posts by intern Brett Szmajda. When I say ‘solar power’, most people conjure up images of the thin, iridescent blue panels that make a patchwork quilt out of the roofs of suburban houses.
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David Boyd died aged 87 on November 10 2011. Born into the Boyd family, who have been renowned for their artistic talents, David Boyd was a painter but was known for his ceramics, learning originally from his father Merric Boyd.
I recently had the privilege to undertake a 20 day internship at the Powerhouse Museum under the supervision of curator, Paul Donnelly. I was given the task of documenting an acquisition consisting of a series of ceramic pieces by Joyce Gittoes (b.1915).
Dr. Thancoupie Gloria Fletcher AO, has sadly died after a long illness, aged 74, at Weipa Base Hospital on Cape York. Thancoupie (Thanakupi), as she was best known, was born in the small mission town of Napranum, near Weipa where she experienced a traditional childhood of hunting and travelling with her family in time with the seasons.
Why does hair appear in the most unlikely places? Like this man's shirt from the Cameroons. Or worked into this unique needle lace panel from the 1600s. That hair has been readily available as a material is one answer.
Bernard Sahm was a greatly respected potter whose work is represented in all the major galleries of Australia. He trained and practiced as an industrial draughtsman which gave him skills he was to use in his distinctive ceramic output that frequently included drawn and applied detail.
Attention data nerds and science geeks, you will love this object. This is what is known as an Argo float (I prefer the term sea robot), the picture doesn’t give you a sense of scale but the whole unit is about 6 feet tall.
Whilst working on the new ‘Ecologic: creating a sustainable future’ exhibition, we were looking for objects to help us tell the story of climate change, and more specifically talk about the fossil record.
This inconspicuous lump of rock is actually a piece of lava from Mt. Vesuvius, Italy. It is one of the Museum’s earliest collected objects, having been purchased in 1886 in New York. It was probably no more that a curiosity back then, yet it has been incredibly valuable for us to use in discussing contemporary issues.
Thinking about the UN Climate Change Conference in Copenhagen, it struck me as fitting that we have two cute Copenhagen-made wooden toys in our carbon sinks showcase in the exhibition Ecologic: creating a sustainable future.