Over the recent long weekend, I was thrilled to assist with the Museum’s participation in the annual CARnivale festival. Held for the second year in Sydney’s Parramatta Park on 26 January, CARnivale displayed over 400 classic vehicles, including cars, motorcycles, fire engines and ambulances, all made before 1987!
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Home should be a place of security, intimacy, love and family, a haven from the world. It is where we can express ourselves through the location, architecture, furnishings and decoration. But 'home' is also a site of financial burden, fracture, loss and danger - and increasingly for some, a home is simply unattainable.
As a third year university student studying an arts degree, the same inevitable and dreaded question often arises in daily conversations; “oh, so what kind of job are you hoping to get with that degree?” My answer has always been that I would like to work as a curator or conservator in museums and art galleries, as I enjoy uncovering the history of objects and understanding what they can tell us about the past.
The Conservation department plays a crucial role in the preparation of the Museum's exhibitions. From the early stages of the exhibition development Conservators work closely with other members of the exhibition team, especially Curators, Designers and Registrars.
Of 10,000 or so objects in the Museum’s Asian collections, only about 10% have ever been on display. The exhibition titled Reflections of Asia: Collectors and Collections showcases over 500 objects from this extensive collection, developed over 140 years, including wood and lacquerwork, ceramics, metalwork, dress and textiles, contemporary fashion and art.
From popular culture to mainstream media to discourse on the post-, trans- and non- human, the human impact of current technological change is palpable. The exhibition Human non Human responds to this sense of anxiousness and exhilaration.
The Museum of Applied Arts and Sciences has just launched a new publication, Time and Memory, the second in the MAAS collection series which is supported by the Copyright Agency Cultural Fund. In his introductory essay ‘The Shape of Time’, Principal Curator Matthew Connell places the Museum’s collection within the context of humanity’s understanding and experience of time, and our relationship with memory.
Ever wondered how to donate to a museum? Curator Tilly Boleyn reveals what to consider before you get in touch. Spring is a busy time. Flowers are blooming, lambs are frolicking and people are clearing out their sheds thinking, “I wonder if I should donate this to a museum?”.
From its very beginnings, rock n roll has argued with itself over image. Is the rock image glam, flashy, showy and gregarious? Or is it honest, dirty, working class and brash? Regardless, ‘look’ has always played a massive part in rock n roll.
I'm currently finishing up a 3-month internship in the Curatorial department of the Museum of Applied Arts and Sciences (MAAS). I embarked on this three-month internship without any background in museum work or studies.
Week 11 as an intern at the Museum of Applied Arts and Sciences. No sign of life in the objects. Starting to think that basing my expectations on ‘Night at the Museum’ was unrealistic. Although, I have only been here during the day, so I won’t write that off just yet.
Some of the rewarding aspects of the exhibition development process involve content development such as writing the storyline and text for labels and theme panels, and researching and selecting objects.