On my recent visit to the Sydney Jewish Museum to experience the exhibition Jukebox Jewkbox! A Century on Shellac and Vinyl I was interested in how the Sydney Jewish Museum has explored the technology of recorded music.
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I recently had the privilege of seeing the exhibition Jukebox Jewkbox! A Century on Shellac and Vinyl at the Sydney Jewish Museum in Darlinghurst. The exhibition explores the phenomenon of mass-produced music, performance and comedy on the mediums of shellac and vinyl, and the enormous part Jewish people have played, and continue to play in the industry.
Dismantling Reigning Men took a full week of sweat, noise and dust. But from it the MAAS team has crafted a cocoon of serenity designed to celebrate the creativity and subtle complexity of Akira Isogawa, in a new exhibition which opened on 15 December 2018.
Of 10,000 or so objects in the Museum’s Asian collections, only about 10% have ever been on display. The exhibition titled Reflections of Asia: Collectors and Collections showcases over 500 objects from this extensive collection, developed over 140 years, including wood and lacquerwork, ceramics, metalwork, dress and textiles, contemporary fashion and art.
The Museum staff have a huge job caring for our enormous collection of over 500,000 objects. Our team includes experts in a vast range of areas, including: fashion, health and medicine, architecture, engineering, sciences, design, decorative arts, technologies and contemporary culture.
Name: Kristina Stankovski Role: Assistant Curator What is your area of expertise? Fashion and Dress What's your background and how did you come to work at the Museum? I hold a Master of Arts in the History and Culture of Fashion from the London College of Fashion, as well as a Graduate Diploma in Museum Studies and a Bachelor of Arts in Anthropology from Sydney University.
The four-week installation of the touring exhibition Reigning Men: Fashion in Menswear, 1715-2015 was one of the most complex that I have ever been involved in. At the Museum of Applied Arts and Sciences (MAAS), we displayed over 130 ensembles and single garments, primarily from the permanent collection of the Los Angeles County Museum of Art (LACMA), which was an edited version of the original exhibition first shown at LACMA in 2016.
Pictured on-site, amidst the installation of A Fine Possession, Rebecca Ellis is seen positioning the mount for the neckpiece by Susan Cohn. Once the mount had been positioned and fixed into place on the fabric covered PET panel, the neckpiece was secured onto the mount.
For most of the hundred-plus years this graphite elephant has been in the Powerhouse Museum’s collections it has been inextricably tied to the Garden Palace fire of 1882. The main reason for this has been the ongoing claims that the elephant was one of the only Museum objects to survive the flames.