Bequests have played a major part in the development of the Museum’s collection and have provided us with some of our most important and best-loved objects. Last year MAAS received a particularly generous bequest of objects and funds from Barry John Willoughby, a passionate Sydney collector of decorative arts.
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This post was written by Chloe Appleby, a Curatorial Volunteer working under the supervision of Curator Margaret Simpson throughout 2017 and 2018. Chloe also works as a Program Producer and Visitor Services Officer at MAAS's Powerhouse site in Ultimo and the Museums Discovery Centre in Castle Hill.
The artworks of Melbourne-based artist and designer Kate Rohde are recognisable for their exuberant embrace of form and pattern. Baroque in style, highly ornate and vibrating with colour, the works claim a unique position in contemporary Australian design.
Our Interface exhibition unpacks some strategies employed by designers to simplify the way we use information technology (IT) tools. But surprisingly, the earliest objects in the exhibition are not IT artefacts at all but come from our decorative arts collection.