Keith Hensel was principal designer at Breville, and previously a designer with Sunbeam and Nielsen Design Associates. For more than 20 years he had been involved in designing household products from lighting to kettles, toasters to toothbrushes.
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It is 56 years this month since Jorn Utzon's success in the design competition for the Sydney Opera House. During January 1957 the four judges (they were all architects: Cobden Parkes, Eero Saarinen, Ingham Ashworth and Leslie Martin) looked through more than 700 entries.
Sadly, the Powerhouse Museum farewelled two more supporters this year – poster artist Harry Rogers (b. 20 November 1929 – d.19 May 2012) and his wife Valmai (Val) Rogers, who died on 23 November 2012.
The poster artwork above is the work of Jean and Joan McAdam, twin sisters who ran a successful graphic design business for several companies including LJ Hooker, developers of the Killarney Heights Estate. Recently I posted about a Beachcomber project home built at Killarney Heights in 1965 for Ruby Matthews and family.
Why not a helicopter from Wynard to Town Hall? Charles Frederick Beauvais, an illustrator and industrial designer came up a with a variety of futurists transport solutions for Sydney in the 1940s.
The Powerhouse Museum’s Style 20 Fotoplayer is a wonderful instrument on display in the Kings Cinema within the Museum. It was made to provide music and sound effects to accompany silent movies and is an upright player piano, with an effects box.
This early pedal bicycle is a good example of a velocipede or boneshaker. It is on display in the Powerhouse Museum during August 2012 as part of a small exhibition titled 'Bicycle: simple idea, complex evolution' that I curated for the Ultimo Science Festival.
With the 2012 London Olympics currently enthralling the world, it’s timely to have a look at the Powerhouse Museum’s Olympic bike. It was designed and made in Australia and similar ones were used in the 1996 Atlanta Olympics.
As the the 2012 Olympic Games opens in London who can forget the excitement of the Olympic Games in Sydney, the touring of the Olympic torch around the country and moment of lighting at the Sydney Olympic Games in 2000?
Picture a large stained glass window inside a cathedral. You see a variety of colours - perhaps a contrast of red and blue, long slivers of yellow, or a striking sea of white. A pattern emerges, changing your interpretation of the window.
Surrounded by signs in our daily city existence sometimes we notice them, hopefully when driving or crossing the road. But often they meld into an overall of street scenery. There is an abundance of signs in urban landscapes as captured by photographer David Mist in the 1960s pictured below.
The above bi-lingual screenprinted poster design by Michael Callaghan, was produced at Redback Graphix in Wollongong in 1984 for CAAMA, the Central Australian Aboriginal Media Association (established 1980).