How many hands does it take to create a kantha tapestry like this? In this instance, it was the work of eight women embroidering every day for one year. Threading not only a story of traditional motifs, but also the international recognition of an ancient craft and women’s socio-economic emancipation in Bangladesh and West Bengal.
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The Powerhouse Museum collection contains material relating to architecture and the built environment, of local, national and international significance. The collection includes scale models, design archives, plans, drawings, photography and interior fittings, with projects ranging from iconic buildings by award winning, internationally recognised Australian architects Glenn Murcutt, Harry Seidler and John Andrews, to social housing and civic projects of public interest. Architectural models form an important part of the architecture and built environment collection, and the Museum has many fine examples of conceptual, working, and large-scale presentation models that illustrate this craft.
The Museum of Applied Arts and Sciences has just opened a display with striking objects, photographs and archival material from its extensive decorative art and design collections, to celebrate the centenary of the Bauhaus, the most influential 20th century school of design.
Held annually at the Powerhouse Museum since 1993, the Student Fashion display showcases the work of Sydney’s top local fashion design graduates, providing insight into the skills and potential of the next generation of Australian designers.
On my recent visit to the Sydney Jewish Museum to experience the exhibition Jukebox Jewkbox! A Century on Shellac and Vinyl I was interested in how the Sydney Jewish Museum has explored the technology of recorded music.
I recently had the privilege of seeing the exhibition Jukebox Jewkbox! A Century on Shellac and Vinyl at the Sydney Jewish Museum in Darlinghurst. The exhibition explores the phenomenon of mass-produced music, performance and comedy on the mediums of shellac and vinyl, and the enormous part Jewish people have played, and continue to play in the industry.
"Public space is a great equaliser, and an ancient forum." The placing of posters in public spaces is artist Peter Drew’s way of drawing attention to Australia’s immigration issues and a direct response to the Australian government’s ‘Stop the Boats’ campaign.
Shape 2018 is a showcase of exceptional year 12 student work from the syllabus areas focused on design and technology – Design and Technology / Textiles and Design / Industrial Technology. This year MAAS has 37 examples on show from around New South Wales.
Name: Denise Larcombe Which of the Museum’s sites do you volunteer at: Powerhouse Museum How long have you been volunteering at MAAS: Since 2007 What’s your background: After Studying Industrial Design at East Sydney Technical College I worked in lighting Design and then joined Crown Crystal Glass as an Industrial Designer in 1967.
The Good Design Awards 2018: Fashion Revolution Australia exhibition features four Australian labels illustrating some of the principles promoted by Fashion Revolution Australia, including considered (or conscious) sourcing of materials, upcycling and transparent supply chains.
Google Cultural Institute is an online platform which brings together the collections of hundreds of museums and galleries around the world. Its goal is to make these amazing collections free and accessible to all.
Agora is the second in a series of three annual architecture installations commissioned by the Museum of Applied Arts and Sciences. Funded by a generous private donor, the annual commission is an opportunity for MAAS to support Australian architecture and design practitioners.