Home should be a place of security, intimacy, love and family, a haven from the world. It is where we can express ourselves through the location, architecture, furnishings and decoration. But 'home' is also a site of financial burden, fracture, loss and danger - and increasingly for some, a home is simply unattainable.
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The Common Good exhibition at the Powerhouse Museum explores the impact of contemporary design practice in Australia and the surrounding region, examining how designers are responding to various social, environmental and ethical challenges to affect change.
Wendy Ramshaw (1939 - 2018) was a leading contemporary British studio jeweller renowned for her innovative approach to jewellery design and production. Ramshaw emerged on the international jewellery scene in the 1970s, exerting a significant influence through inspiring exhibitions, workshops and artist residencies in countries such as the USA and Australia (1978).
Bequests have played a major part in the development of the Museum’s collection and have provided us with some of our most important and best-loved objects. Last year MAAS received a particularly generous bequest of objects and funds from Barry John Willoughby, a passionate Sydney collector of decorative arts.
Ever wondered how to donate to a museum? Curator Tilly Boleyn reveals what to consider before you get in touch. Spring is a busy time. Flowers are blooming, lambs are frolicking and people are clearing out their sheds thinking, “I wonder if I should donate this to a museum?”.
The Museum of Applied Arts and Sciences recently acquired the ‘New Armor’ stool by South Korean contemporary designer Kwangho Lee, which reflects the ‘Return to Craft’ movement as featured in the Powerhouse Museum exhibition Common Good.
What were you to do if you were a woman living in a country town during the 1920s and dreamed of wearing the latest fashions from Paris? This dressmaking kit, which came to the donor from a house in Warwick, Queensland, speaks of the wide influence of Paris fashions and the audacious ‘lady overlanders’ who traversed the country showing samples and taking orders for the Swiss embroidery business, Sonderegger & Co.
A small showcase on Level 1 at the Museum shares the story of a very special little radio. Earlier this year, Red Room Company invited MAAS to contribute an object from the museum collection to the learning resource and workshop program of Poetry Object 2018.
Instantly recognisable for their distinct appearance of blue skin, white clothing and a small stature, Smurfs are a cherished worldwide children's franchise that began in Belgium in the late-1950s.
Mythical creatures, grotesque faces, writhing snakes, horse’s hooves, glinting shovels and pickaxes… all things not usually seen on walking sticks. However, the carvings of Robert Read display the potential creativity and whimsy of this part utilitarian, part fashionable item.
Shape 2017 is a showcase of year 12 student work from the syllabus areas concerned with design and technology – Design and Technology / Textiles and Design / Industrial Technology. This year MAAS has 38 fine examples on show from around New South Wales.
The Museum is excited to present Australian Men’s Style featuring 25 objects from the MAAS collection that touch on aspects of Australian men’s dress over a period of 200 years. From gentlemen’s attire in the early colonial period to post-World War II outfits and contemporary design, Australian Men’s Style will feature some of the milestones in the evolution of Australian menswear.