Name: Kristina Stankovski Role: Assistant Curator What is your area of expertise? Fashion and Dress What's your background and how did you come to work at the Museum? I hold a Master of Arts in the History and Culture of Fashion from the London College of Fashion, as well as a Graduate Diploma in Museum Studies and a Bachelor of Arts in Anthropology from Sydney University.
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What were you to do if you were a woman living in a country town during the 1920s and dreamed of wearing the latest fashions from Paris? This dressmaking kit, which came to the donor from a house in Warwick, Queensland, speaks of the wide influence of Paris fashions and the audacious ‘lady overlanders’ who traversed the country showing samples and taking orders for the Swiss embroidery business, Sonderegger & Co.
Marriage has been practiced in myriad forms across time and communities. It has no universal model and is in a frequent state of flux as it adjusts and responds to the changing political, economic and social milieu.
Anna Tregloan has designed staging and costumes for a wide variety of independent theatre companies and artists in Australia and overseas. Here she discusses her approach to the exhibition design for Collette Dinnigan: Unlaced with MAAS fashion curator, Glynis Jones.
Japanese Folds (16 May-21 June 2015) is a playful exhibition showing contemporary fashion items and decorative arts from the Museum’s collection centred on the Japanese practice of folding. The exhibition provides an insight into the folding design concept with a focus on the way contemporary Japanese designers have adapted and incorporated traditional folding practices into their work.
It was gold rush day at my daughter’s school. One of the most exciting days of her year – damper making, tent building and gold panning – all without even leaving the playground. The most exciting part though was the chance to dress up.
There’s more history in a button than you’d think. As a volunteer helping with the Australian Dress Register, I compiled information on the history of fastenings as a resources sheet for the Register’s website.
As pointed out in our earlier post, internships form a significant part of the Museum's Regional Services program and in this post, we have invited Michelle Maddison, a Curator from the Museum of the Riverina in Wagga Wagga, to talk about her experience.
For most of my adult life I had heard of all the things in my aunt’s possession. Aunty Nan (Nancy Sewell nee Whaites) was a wealth of knowledge and loved to talk about her ancestors. William Edward Bayldon who had been born in England was operating a chemist shop and owned farm land in Adelaide in 1840 when he married Eliza Leaman widow of James Birmingham Kelly.