Inside the Collection

Tag: exhibitions

Student Fashion 2019

June 19, 2019

Kristina Stankovski
Held annually at the Powerhouse Museum since 1993, the Student Fashion display showcases the work of Sydney’s top local fashion design graduates, providing insight into the skills and potential of the next generation of Australian designers.

Peter Drew: artist and activist

May 9, 2019

Anni Turnbull
"Public space is a great equaliser, and an ancient forum." The placing of posters in public spaces is artist Peter Drew’s way of drawing attention to Australia’s immigration issues and a direct response to the Australian government’s ‘Stop the Boats’ campaign.

The Ideal Home Exhibition: Australian experiences of home across the past 100 years

January 29, 2019

Nina Earl
Home should be a place of security, intimacy, love and family, a haven from the world. It is where we can express ourselves through the location, architecture, furnishings and decoration. But 'home' is also a site of financial burden, fracture, loss and danger - and increasingly for some, a home is simply unattainable.

Reflections of Asia: Behind the Scenes with Conservation

December 11, 2018

Conservation
The Conservation department plays a crucial role in the preparation of the Museum's exhibitions. From the early stages of the exhibition development Conservators work closely with other members of the exhibition team, especially Curators, Designers and Registrars.

Reflections of Asia: Collectors and Collections at MAAS

December 5, 2018

Min-Jung Kim
Of 10,000 or so objects in the Museum’s Asian collections, only about 10% have ever been on display. The exhibition titled Reflections of Asia: Collectors and Collections showcases over 500 objects from this extensive collection, developed over 140 years, including wood and lacquerwork, ceramics, metalwork, dress and textiles, contemporary fashion and art.

Introducing the Barry Willoughby Bequest for glass and ceramics

November 21, 2018

Eva Czernis-Ryl
Bequests have played a major part in the development of the Museum’s collection and have provided us with some of our most important and best-loved objects. Last year MAAS received a particularly generous bequest of objects and funds from Barry John Willoughby, a passionate Sydney collector of decorative arts.

Holograms and History

July 25, 2018

Arul Baskaran

Imagine a museum where objects come to life as you walk amongst them. With augmented reality technology, that’s becoming possible, enabling visitors to explore museum exhibits and artefacts in new ways.

Recent acquisition: New Armor stool by Kwangho Lee

June 27, 2018

Megan Meredith
The Museum of Applied Arts and Sciences recently acquired the ‘New Armor’ stool by South Korean contemporary designer Kwangho Lee, which reflects the ‘Return to Craft’ movement as featured in the Powerhouse Museum exhibition Common Good.

Men getting dressed: installing a fashion exhibition at the Powerhouse Museum

May 23, 2018

Roger Leong
The four-week installation of the touring exhibition Reigning Men: Fashion in Menswear, 1715-2015 was one of the most complex that I have ever been involved in. At the Museum of Applied Arts and Sciences (MAAS), we displayed over 130 ensembles and single garments, primarily from the permanent collection of the Los Angeles County Museum of Art (LACMA), which was an edited version of the original exhibition first shown at LACMA in 2016.

Love is… Highlights from the MAAS wedding dress collection

February 13, 2018

Glynis Jones
Marriage has been practiced in myriad forms across time and communities. It has no universal model and is in a frequent state of flux as it adjusts and responds to the changing political, economic and social milieu.

Life Cycles: Sustainable Materials Library

January 10, 2018

Keinton Butler
In 1907, while developing an alternative to shellac, a natural resin secreted from the East Asian lac bug and used to insulate electrical cables in the early 20th century, Belgian chemist Leo Baekeland invented the world’s first mouldable synthetic polymer, called Bakelite.