Inside the Collection

Tag: fashion

Printing fashion in 3D: the inBloom Dress

November 1, 2016

Kylie Budge
Why would a museum collect 3D printed objects? To answer this question it’s important to think about why museums collect anything at all. Museum collections, on the whole, show a deep, human preoccupation with material culture - the things that surround us.

Looking for the mermaid: developing the Annette Kellerman visual installation

October 12, 2016

Anni Turnbull
I am still looking for my chest of gold in a cool dripping sea cave -- though a professional mermaid for the movies, I still wait to see my first real one sitting on a damp grey rock combing her long green hair.1 The exhibition Million Dollar Mermaid: Annette Kellerman features a visual installation projected onto a set, creating an immersive, sensory environment.

An interview with Matthew Connell, curator of ‘Out of Hand: Materialising the digital’ exhibition

September 21, 2016

Anni Turnbull
  Matthew Connell, was lead curator on Out of Hand. Here he discusses his approach to the exhibition with fellow MAAS curator Anni Turnbull. What is the exhibition about? It’s a look at the world of digital manufacturing and an acknowledgement that the digital world is now imposing itself on the material world in a way that breaks down a long standing dichotomy.

Origins of the Annette Kellerman collection

August 12, 2016

Peter Cox
Annette Kellerman's successes in a number of fields are extraordinary. Born in Sydney in 1886, she became an international celebrity as an endurance swimmer, a highly paid entertainer of the vaudeville stage and a star of American silent films. She played a key role in popularising the modern one-piece swimsuit for women, became a successful businesswoman and wrote self-help books about health, beauty and exercise.

Julia Johnston – a sassy first generation colonial gal

January 27, 2016

Rebecca Evans
Frocks may seem rather innocuous but dress was essential in the creation of colonial Australia. In the 19th century, appropriate attire was a marker of respectability and an expression of status, wealth and beliefs.

Stewart Walton for ‘Collette Dinnigan: Unlaced’

October 30, 2015

Melanie Pitkin
One of the greatest pleasures when developing a museum exhibition is collaborating with a breadth of highly talented creatives. In the case of Collette Dinnigan: Unlaced, Kat Bond and Fil Bartkowiak in our design team collaborated with Stewart Walton, an artist, illustrator and furniture designer based in England to create our paper doll making activity space.

Florence Broadhurst’s Fabulous Foils

July 28, 2015

Anne-Marie Van de Ven
From the mid 19th century, wallpapers used in Australia had predominantly been imported from Britain, but also from France, Canada and America. In 1959, Florence Broadhurst decided to buck the trend.

A Fashion Affair: Romance Was Born and MAAS

June 24, 2015

Roger Leong
Our Annual Appeal this year is focussed on acquiring the latest collection by Australian fashion label, Romance Was Born. MAAS has a long relationship with Anna Plunkett and Luke Sales, the designers behind the label, as our collection has informed their practice over many years.

Japanese Folds exhibition

May 27, 2015

Min-Jung Kim
Japanese Folds (16 May-21 June 2015) is a playful exhibition showing contemporary fashion items and decorative arts from the Museum’s collection centred on the Japanese practice of folding. The exhibition provides an insight into the folding design concept with a focus on the way contemporary Japanese designers have adapted and incorporated traditional folding practices into their work.