This wedding dress was worn by an Australian Indigenous women identified as Mrs Janet McDonald. Do you know anything about her?
Inside the Collection
- Collection & Research
- Inside the Collection
- Collection Resources
- MAAS Blogs
Clothes we wear embody a past no matter how old or new they are. An intriguing Victorian wedding dress made of silk taffeta was selected for Love Is … Australian Wedding Fashion. This mulberry coloured dress (Fig.1) was worn by a bride in Sydney in 1887.
This photograph by Max Dupain (22 Apr 1911 - 27 Jul 1992), signed and dated 1936, is from the archive of Madame Louise Lamoureux, who ran a Sydney fashion house specialising in embroidery and hand-beading.
Sometimes luminaries in popular culture are called 'legends'. A legend is a story that has been handed down and is popularly regarded as historical but not authenticated. The legend of Annette Kellerman goes like this -- born in Marrickville, she recovered from polio as a child, invented the one-piece swimsuit, was arrested in Boston for wearing it and became a Hollywood movie star.
Recently identified in the MAAS collection are twenty early career images of fashion icon Carmen Dell’Orefice modelling hats by celebrity milliner, Mr John of New York (1902-1993). Still modelling at 85, Ms Dell’Orefice is widely acknowledged for her elegance and interpretative skill.
Why would a museum collect 3D printed objects? To answer this question it’s important to think about why museums collect anything at all. Museum collections, on the whole, show a deep, human preoccupation with material culture - the things that surround us.
I am still looking for my chest of gold in a cool dripping sea cave -- though a professional mermaid for the movies, I still wait to see my first real one sitting on a damp grey rock combing her long green hair.1 The exhibition Million Dollar Mermaid: Annette Kellerman features a visual installation projected onto a set, creating an immersive, sensory environment.
Whenever asked ‘when, where and what’ to visit in Sydney, we know the answer: the Opera House with her pure white sails lit in moonlight and of course, our iconic Sydney Harbour Bridge that sparkles beautifully every New Year’s Eve.
Klaus Moje was one of the most distinguished and influential glass artists of his time. Living in Canberra and working as an educator as well as glass artist Moje had a profound influence on national and international glass communities.
Matthew Connell, was lead curator on Out of Hand. Here he discusses his approach to the exhibition with fellow MAAS curator Anni Turnbull. What is the exhibition about? It’s a look at the world of digital manufacturing and an acknowledgement that the digital world is now imposing itself on the material world in a way that breaks down a long standing dichotomy.
Today is the second largest festival day, across Asia after Lunar New Year’s Day. Known as the Moon Festival Day or Mid-Autumn Festival Day, it is the fifteenth day of the Eighth month in the lunar calendar.
Anna Tregloan has designed staging and costumes for a wide variety of independent theatre companies and artists in Australia and overseas. Here she discusses her approach to the exhibition design for Collette Dinnigan: Unlaced with MAAS fashion curator, Glynis Jones.