HIV is still here - and it's on the move For folk who lived through the 1980s, AIDS was an omnipresent gargoyle. The disease was part of the contemporary culture. It had insinuated itself into current affairs stories and commercials, into youth culture, gay culture, tea-room discussions, into jokes, bullying; and into people’s bodies.
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This advertising sign from the Wirth’s Circus collection is currently on display in the Circus Factory exhibition at the Powerhouse Museum. Wirth’s Circus was founded by the four Wirth brothers around 1880.
Floral design, gouache on paper by Shirley de Vocht Shirley de Vocht (nee Martin) studied art at East Sydney Technical College and worked in a number of post-WWII Australian design and manufacturing industries.
There are 30,00 types of flies, one of the most familiar and widely distributed is the house fly. Besides being annoying it can also carry diseases.like typhus, dysentery, and tuberculosis, The introduction of cattle to Australia in 1788 gave the fly increased access to one of it's food sources, animal dung.
The Powerhouse Museum has an amazing range of Australian and international, historical and contemporary objects which tell us so much about who we are, where we came from and perhaps more importantly, they may help us identify who we are now and where we are going.
As the Museum of Applied Arts & Sciences in Sydney undertakes a restructure, downsizing staff numbers as it endeavours to become more nimble and sustainable, curators will soon be re-applying for their jobs.
As promised, the newly acquired Magnavox Odyssey gaming console went on exhibit in the Game Masters exhibition mid-February. If you’re looking for it, it’s just before ‘Arcade Heroes’ in the alcove of Game Masters; just across from the double click showcase housing similarly exciting game consoles from the Powerhouse Museum Collection.
A few years back I was interviewed about the fate of Sydney’s neon advertising signs: 'The great age of neon has passed,' laments Charles Pickett, a curator of design and society at the Powerhouse Museum, an institution that houses the AWA sign that once sat atop the eponymous1930s skyscraper, and a red neon greyhound removed recently from Wentworth Park Raceway.
I read some good news recently – the number of poker machines in NSW pubs has reduced by 2675 in the past two years. More pubs are giving pokies the flick. I’m interested in this for a couple of reasons: The Powerhouse holds what is probably the only collection of poker machines in a major Australian museum.
Jim Brown was a former US serviceman who lived in Sydney from 1968 to 1972. Like a lot of people back then he was struck by the oil-on-glass pub advertising paintings which adorned most of Sydney’s pubs.
As Sydney throw itself into another round of Mardi Gras celebrations, it is 35 years since the initial march. Attitudes have shifted since 1978 when the first march, which was more of a political protest, attracted the wrath of the police and condemnation from certain parts of society and the media.
Sadly, the Powerhouse Museum farewelled two more supporters this year – poster artist Harry Rogers (b. 20 November 1929 – d.19 May 2012) and his wife Valmai (Val) Rogers, who died on 23 November 2012.