Dismantling Reigning Men took a full week of sweat, noise and dust. But from it the MAAS team has crafted a cocoon of serenity designed to celebrate the creativity and subtle complexity of Akira Isogawa, in a new exhibition which opened on 15 December 2018.
Inside the Collection
Name: Kristina Stankovski Role: Assistant Curator What is your area of expertise? Fashion and Dress What's your background and how did you come to work at the Museum? I hold a Master of Arts in the History and Culture of Fashion from the London College of Fashion, as well as a Graduate Diploma in Museum Studies and a Bachelor of Arts in Anthropology from Sydney University.
This post was written by Chloe Appleby, a Curatorial Volunteer working under the supervision of Curator Margaret Simpson throughout 2017 and 2018. Chloe also works as a Program Producer and Visitor Services Officer at MAAS's Powerhouse site in Ultimo and the Museums Discovery Centre in Castle Hill.
On 10 March the Powerhouse Museum celebrates its 30th birthday. Over the past three decades the Museum has produced an enormous number of amazing exhibitions covering everything from science to art, Star Wars to high fashion.
Colonised Australia felt it had grown into an independent, and quite sexy young adult by the 1980s. The 1988 bicentenary was a celebration of all that Europeans had acheived in Australia in 200 years. It was also a year which benefited from the optimism of the Wran NSW Labor Government - which commissioned, among other public institutions and spaces, the ingeniously designed converted power station as the new home for the Museum of Applied Arts and Sciences in Ultimo, Sydney.
The MAAS collection contains an estimated 500 000 objects. These objects are routinely moved around the Museum as they are taken on and off display, undergo conservation work, are photographed for publications, or even loaned to other museums and institutions across Australia and internationally.
Plutarch (b. 46 CE) tells the story of a man who plucks the feathers from a Nightingale and on finding nothing more than a scrawny body not worth eating, exclaims ‘You are a voice and nothing more.’ The power and potency of the voice, in this case, the human voice, is the focus of the exhibition This is a Voice which opened at the Powerhouse Museum on August 10.
Over the last six months a project team at the Museum has been hard at work redesigning a key part of the Museum’s digital offer – the MAAS online collection website. We're pleased to announce the site is now live and available at https://collection.maas.museum/.
Our Annual Appeal this year is focussed on acquiring the latest collection by Australian fashion label, Romance Was Born. MAAS has a long relationship with Anna Plunkett and Luke Sales, the designers behind the label, as our collection has informed their practice over many years.
When you think of a museum employee you might imagine them wearing a tweed jacket, horn rimmed glasses and white gloves while they talk at you in dry monotone. In reality, that couldn’t be further from the truth (except for the horn-rimmed glasses.