This post was written by Chloe Appleby, a Curatorial Volunteer working under the supervision of Curator Margaret Simpson throughout 2017 and 2018. Chloe also works as a Program Producer and Visitor Services Officer at MAAS's Powerhouse site in Ultimo and the Museums Discovery Centre in Castle Hill.
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On 10 March the Powerhouse Museum celebrates its 30th birthday. Over the past three decades the Museum has produced an enormous number of amazing exhibitions covering everything from science to art, Star Wars to high fashion.
The MAAS collection contains an estimated 500 000 objects. These objects are routinely moved around the Museum as they are taken on and off display, undergo conservation work, are photographed for publications, or even loaned to other museums and institutions across Australia and internationally.
In 2004, the Liberal government under John Howard rushed legislation into parliament which changed the definition of marriage in Australia. The 2004 amendments are: 5 (1) marriage means the union of a man and a woman to the exclusion of all others, voluntarily entered into for life.
The Museum staff have a huge job caring for our enormous collection of over 500,000 objects. Our team includes experts in a vast range of areas, including: fashion, health and medicine, architecture, engineering, sciences, design, decorative arts, technologies and contemporary culture.
The Museum of Applied Arts and Sciences began its life in 1879 as the Technological, Industrial and Sanitary Museum. It developed out of the Sydney International Exhibition of the same year, which was designed to promote commerce, industry, art, science and education in Australia.
In 1887 observatories worldwide embarked on an ambitious project to photograph the entire sky, cataloguing the positions of millions of stars to produce a document known as the Astrographic Catalogue.
When Deniz Tek, medical student, audiophile and guitarist met Rob Younger in the early 1970s amidst the satin flares and platform boots that then graced Sydney’s pub stages the two students could see and hear that energy, rebellion, intelligence and true social comment were sorely missing.
Clothes we wear embody a past no matter how old or new they are. An intriguing Victorian wedding dress made of silk taffeta was selected for Love Is … Australian Wedding Fashion. This mulberry coloured dress (Fig.1) was worn by a bride in Sydney in 1887.
Over the last six months a project team at the Museum has been hard at work redesigning a key part of the Museum’s digital offer – the MAAS online collection website. We're pleased to announce the site is now live and available at https://collection.maas.museum/.
Our Annual Appeal this year is focussed on acquiring the latest collection by Australian fashion label, Romance Was Born. MAAS has a long relationship with Anna Plunkett and Luke Sales, the designers behind the label, as our collection has informed their practice over many years.
Charles Laseron was an early collector at MAAS and formative influence upon our applied arts collection. He was also present during the Gallipoli landings in 1915. In the week leading up to the ANZAC Centenary, we are publishing a series of posts detailing Laseron’s life.