From popular culture to mainstream media to discourse on the post-, trans- and non- human, the human impact of current technological change is palpable. The exhibition Human non Human responds to this sense of anxiousness and exhilaration.
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Happy National Science Week and Sydney Science Festival everyone! This week my science colleagues have taken over the blog to give you a bit more of an understanding about who we are and what we do. When people find out that I’m a science curator their next question is usually “so, what do you actually do?”.
Our curators have a huge job caring for our enormous and diverse collection of over 500,000 objects! Their areas of expertise are as diverse and interesting as the scope of the Museum's collection.
When you think of a museum employee you might imagine them wearing a tweed jacket, horn rimmed glasses and white gloves while they talk at you in dry monotone. In reality, that couldn’t be further from the truth (except for the horn-rimmed glasses.
‘Mouse slippers’, a label from the Powerhouse exhibition The Oopsatoreum, is one of 10 labels honoured in this year’s annual Excellence in Exhibition Label Writing Competition, an international award sponsored by the American Alliance of Museums in partnership with the Museology Graduate Program at the University of Washington, Seattle.
The weapon which would conjure up a - albeit highly visceral - image World War One trench warfare would be the rifle bayonet. So much grainy footage of young men charging across no-man’s-land with bayonets fixed gives us the impression that that was the main strategy of trench battle.
During the late 1970s I was living in England researching a doctorate. I also enjoyed a lot of museums including during a visit to Paris the Centre Pompidou, which had only been open for a year or so.
When Emily Thomas wrote her guide to the top 100 museum related blogs in July 14, 2009 it was an interesting and brave attempt to list engaging, informative and ongoing Museological posts. I say brave as things don't stay stationary on the web, and something that was good one minute can be gone the next.
For most of the hundred-plus years this graphite elephant has been in the Powerhouse Museum’s collections it has been inextricably tied to the Garden Palace fire of 1882. The main reason for this has been the ongoing claims that the elephant was one of the only Museum objects to survive the flames.
Over the last six months or so the Powerhouse Museum has been going through a major revitalisation project. One result of all this activity has been the opening up of some large exhibition spaces.
The alarm was set for 5:00am but the rain outside, and five hours sleep, did little to renew the enthusiasm so confidently expressed when Nick’s initially suggested we fly to Tasmania for the day to visit the Museum of Old and New Art ‘MONA’ in Hobart.
A couple of media stories set me thinking about the image of museums. One (which you may well have come across) concerned a museum and its touring exhibition which have gained an extraordinary amount of press.