A recent loan to the Art Gallery of New South Wales (AGNSW) highlights our commitment to providing access to the collection in new and varied ways. The Museum of Applied Arts and Sciences (MAAS) has an active outgoing loans program, through which the diverse collection is made accessible to audiences across Australia and the world.
Inside the Collection
- Collection & Research
- Inside the Collection
- Collection Resources
- MAAS Blogs
When Deniz Tek, medical student, audiophile and guitarist met Rob Younger in the early 1970s amidst the satin flares and platform boots that then graced Sydney’s pub stages the two students could see and hear that energy, rebellion, intelligence and true social comment were sorely missing.
Matthew Connell, was lead curator on Out of Hand. Here he discusses his approach to the exhibition with fellow MAAS curator Anni Turnbull. What is the exhibition about? It’s a look at the world of digital manufacturing and an acknowledgement that the digital world is now imposing itself on the material world in a way that breaks down a long standing dichotomy.
Iconic fashion designer Collette Dinnigan has been creating beautiful clothing for more than 25 years.
We've amassed some beards in our collection! Curator, Rebecca Evans, takes us through her favourites. 1. Christmas card by Dahl and Geoffrey Collings This card (at top) features a cartoon of a giant, a representation of iconic Australian actor Chips Rafferty, sitting on a stool having his huge beard combed by a tiny female figure, Quentin Rafferty.
Johannes Wirth (1835-1880) was a young immigrant from Bavaria who arrived in Australia in 1855 with his three younger brothers. They were musicians who performed as a German brass band. Johannes took to the life of an itinerant gold seeker, travelling with his wife and infants, following rush after rush to the gold fields, all the way from southern Victoria to the north of Queensland.
As a bandleader, singer and musician in the late 1940s and 1950s, Les Welch brought the sounds of popular jazz and blues to Sydney’s dancehalls and nightclubs. He developed a reputation for his piano playing, his vocal style and a repertoire that mixed rhythm & blues, trad jazz, boogie-woogie and pop.
The weapon which would conjure up a - albeit highly visceral - image World War One trench warfare would be the rifle bayonet. So much grainy footage of young men charging across no-man’s-land with bayonets fixed gives us the impression that that was the main strategy of trench battle.
Wire has been a material used in a variety of areas from the domestic sphere to agricultural, medical and applied arts areas. The Museum's collection has wire products from cake cooling racks to electrical components and to sculptures like the one above made by designer Douglas Annand.
As well as being the title of a Beatles album, this word could be used to describe the deteriorating condition of a 1960’s Pop music scrapbook made by a Sydney teenager, Jennie Small. The wonderful scrapbook has kindly been donated to the Powerhouse Museum’s collection and it consists of pictures, clippings and headlines taken from newspapers and magazines between 1962-64.
If you visit the Powerhouse Museum between 10 am and 1 pm on 9 March for our 25th birthday celebrations, you will be able to see the accurate detail captured in this bronze bust of Sydney pharmacist Ernest Pollock.
The Museum has started to develop a new exhibition about the Beatles' 1964 tour of Australia. We recently acquired an unusual object from around that time. Does anybody know where it originated? It is a large rectangular wooden board in a metal framework, painted with the four Beatles holding their musical instruments.