Museums have used toys, models and dioramas to explain and comment on the workings of a larger world. Here, artist Kendal Murray has created a miniature surreal world atop an antique purse though her work Déjà vu, Review'.
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A couple of month’s back I was contacted by a Daily Telegraph journo, doing a story about Sydney’s ‘Gatsby-style’ mansions. Baz Luhrmann’s take on The Great Gatsby had just hit the screens and the media was searching for evidence that 1920s Sydney had glamour to match that of New York.
This image above is from a series by Museum photographer, Geoff Friend capturing the secret world of mannequins. Sometimes when venturing into the basement or workshop areas, particularly late in the afternoon I feel I have interrupted murmurings between mannequins.
Update (5/2/14): View the Monorail in our collection https://www.youtube.com/watch?v=ALuU_-8Mnwo Monorail coming into the maintenance depot on the traverser. Photo by Geoff Friend. Were you one of the thousands of well wishers who said goodbye to Sydney's Monorail last weekend?
Despite being a huge star for MGM in the 1940s and 50s, Esther Williams’ most famous connection to Australia is arguably her role in the film Million Dollar Mermaid where she portrayed the early life of Annette Kellerman.
When the author of this blog's first 'evocative object' post asked me to think about what object from the Museum's collection evoked strong emotions, a few childhood memories flashed through my mind – my first football with its strong smell of fresh leather and my first cricket bat, which I associate with another strong smell, linseed oil – but if I had to choose the earliest special thing from my early childhood it would have to be my pedal car.
When I picked up this small bone tool in our basement store, I experienced a visceral reaction, the shock of sudden realisation: it linked me to a great-grandfather I never met. The object evoked thoughts and emotions as I remembered listening to countless stories told by my grandfather, Hal Hooker.
Very carefully. This was the dilemma that 2 conservators and 2 registrars were recently faced with. To ensure a safe transit, each of the beautiful delicate glass objects has had a padded acid –free box made for it.
Would you have guessed the mystery object on display in the Museum’s marquee at Steamfest this year? Visitors to this event held in Maitland over the weekend of 13-14 April were encouraged to have a go.
These boots were made for dancing. They are Blundstone work boots modified for tap dancing in the Sydney Olympic Games Opening Ceremony. Entering into the quirky, innovative spirit of Wallace & Gromit’s World of Invention, I selected them for display alongside the staid historic Wellington boots that came from Britain with the exhibition.
The Sydney Royal Easter Show has a 191 year history. Its beginnings can be traced to 5th July 1822, when the Agricultural Society of NSW (later the Royal Agricultural Society of NSW) was founded at a meeting in Sydney.
As Sydney throws itself into another round of Mardi Gras celebrations, it is 35 years since the initial march. Attitudes have shifted since 1978 where the first marchers attracted the wrath of the police and condemnation from certain parts of society and the media.