The Museum of Applied Arts and Sciences recently acquired the ‘New Armor’ stool by South Korean contemporary designer Kwangho Lee, which reflects the ‘Return to Craft’ movement as featured in the Powerhouse Museum exhibition Common Good.
Inside the Collection
In 2004, the Liberal government under John Howard rushed legislation into parliament which changed the definition of marriage in Australia. The 2004 amendments are: 5 (1) marriage means the union of a man and a woman to the exclusion of all others, voluntarily entered into for life.
The artworks of Melbourne-based artist and designer Kate Rohde are recognisable for their exuberant embrace of form and pattern. Baroque in style, highly ornate and vibrating with colour, the works claim a unique position in contemporary Australian design.
Australians are reeling with the announcement on 11 December, 2013, that Holden, an Australian icon, will stop building cars here in 2017. How has this happened? With some 66 makes available in Australia these days, twice the choice US drivers have, clearly we don't like football, meat pies, kangaroos and Holden cars quite enough any more.
On this day in 1973, Queen Elizabeth II officially opened the Sydney Opera House. The ABC beamed the occasion by satellite to an appreciative world. Closer to home there were sighs of relief from the politicians, architects and engineers who had, to that time, weathered one controversy after another.
Our curators have a huge job caring for our enormous and diverse collection of over 500,000 objects! Their areas of expertise are as diverse and interesting as the scope of the Museum's collection.
We've amassed some beards in our collection! Curator, Rebecca Evans, takes us through her favourites. 1. Christmas card by Dahl and Geoffrey Collings This card (at top) features a cartoon of a giant, a representation of iconic Australian actor Chips Rafferty, sitting on a stool having his huge beard combed by a tiny female figure, Quentin Rafferty.
Peter Rushforth was one of Australia’s great ceramicists. Along with a number of his contemporaries, including his early mentor Allan Lowe, Rushforth shared an abiding interest in Asian, especially Chinese and Japanese ceramic aesthetics, philosophies and traditions.
Our Annual Appeal this year is focussed on acquiring the latest collection by Australian fashion label, Romance Was Born. MAAS has a long relationship with Anna Plunkett and Luke Sales, the designers behind the label, as our collection has informed their practice over many years.
Last Sunday, 8 March 2015, the leafy tranquility of Sydney's Upper North Shore was pierced regularly throughout the day by a shrill steam whistle. Steam had returned to this commuter line to the city with the historic steam locomotive 3642 providing steam train rides between Hornsby and Gordon stations to celebrate the 125th anniversary of the opening of the line.
This advertising sign from the Wirth’s Circus collection is currently on display in the Circus Factory exhibition at the Powerhouse Museum. Wirth’s Circus was founded by the four Wirth brothers around 1880.
The Museum holds extensive Chinese collections including ceramics, bronze ware, lacquer ware, carvings in jade and ivory, textiles, dress and dress accessories. The Chinese collection has been shaped by a number of significant donations from collectors throughout the last 135 years.