On my recent visit to the Sydney Jewish Museum to experience the exhibition Jukebox Jewkbox! A Century on Shellac and Vinyl I was interested in how the Sydney Jewish Museum has explored the technology of recorded music.
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From its very beginnings, rock n roll has argued with itself over image. Is the rock image glam, flashy, showy and gregarious? Or is it honest, dirty, working class and brash? Regardless, ‘look’ has always played a massive part in rock n roll.
When Deniz Tek, medical student, audiophile and guitarist met Rob Younger in the early 1970s amidst the satin flares and platform boots that then graced Sydney’s pub stages the two students could see and hear that energy, rebellion, intelligence and true social comment were sorely missing.
Sometimes luminaries in popular culture are called 'legends'. A legend is a story that has been handed down and is popularly regarded as historical but not authenticated. The legend of Annette Kellerman goes like this -- born in Marrickville, she recovered from polio as a child, invented the one-piece swimsuit, was arrested in Boston for wearing it and became a Hollywood movie star.
Anna Tregloan has designed staging and costumes for a wide variety of independent theatre companies and artists in Australia and overseas. Here she discusses her approach to the exhibition design for Collette Dinnigan: Unlaced with MAAS fashion curator, Glynis Jones.
Annette Kellerman's successes in a number of fields are extraordinary. Born in Sydney in 1886, she became an international celebrity as an endurance swimmer, a highly paid entertainer of the vaudeville stage and a star of American silent films. She played a key role in popularising the modern one-piece swimsuit for women, became a successful businesswoman and wrote self-help books about health, beauty and exercise.
Peter Rushforth was one of Australia’s great ceramicists. Along with a number of his contemporaries, including his early mentor Allan Lowe, Rushforth shared an abiding interest in Asian, especially Chinese and Japanese ceramic aesthetics, philosophies and traditions.
Our Annual Appeal this year is focussed on acquiring the latest collection by Australian fashion label, Romance Was Born. MAAS has a long relationship with Anna Plunkett and Luke Sales, the designers behind the label, as our collection has informed their practice over many years.
This series of posts on Australia’s own Wirth’s Circus finishes up today with only a few days left to see our exhibition, Circus Factory. Previous posts have looked at when the Wirth's circus hit the road, how we are exhibiting the Wirth's Circus collection, the family's musical beginnings, the diary of John James Wirth and how the Wirth brothers transformed from band to circus. Photographs and documents in the Museum’s collection reveal the rapid growth of Wirth’s Circus as well as a series of disasters and triumphs they encountered on their first overseas tours.
The Circus Factory exhibition includes costumes, photographs and documents from the Museum's Wirth's Circus collection. The Wirth name has a special place in Australian circus folklore. Billed as Australia's own 'Greatest Show on Earth', Wirth's Circus toured from 1880 until its demise in 1963.
Last Sunday, 8 March 2015, the leafy tranquility of Sydney's Upper North Shore was pierced regularly throughout the day by a shrill steam whistle. Steam had returned to this commuter line to the city with the historic steam locomotive 3642 providing steam train rides between Hornsby and Gordon stations to celebrate the 125th anniversary of the opening of the line.
This advertising sign from the Wirth’s Circus collection is currently on display in the Circus Factory exhibition at the Powerhouse Museum. Wirth’s Circus was founded by the four Wirth brothers around 1880.