Clothes we wear embody a past no matter how old or new they are. An intriguing Victorian wedding dress made of silk taffeta was selected for Love Is … Australian Wedding Fashion. This mulberry coloured dress (Fig.1) was worn by a bride in Sydney in 1887.
Inside the Collection
Charles Laseron was an early collector at MAAS and formative influence upon our applied arts collection. He was also present during the Gallipoli landings in 1915. In the week leading up to the ANZAC Centenary, we are publishing a series of posts detailing Laseron’s life.
On Saturday, 25 April this year, Australia marks 100 years since the landing at Gallipoli during World War I. As part of proceedings to mark this significant anniversary, MAAS has collaborated with Castle Hill RSL Club on a special exhibition for their members and guests.
This rather majestic black and white photographic portrait of Australian artist, designer and photographer Dahl Collings (Dulcie May Wilmott 1910-1988) was shot by her husband Geoffrey Collings (1905-2000) during a trip to Stonehenge around 1936.
Restoration of the sailing boat that made the first single handed voyage to Antarctica Dr David Lewis was a courageous sailor, an extra-ordinary navigator and an adventurer with big dreams. He was the first navigator in modern times to cross the Pacific Ocean without using instruments, following a legendary Maori course from Tahiti to New Zealand.
Lawrence Hargrave, aeronautical inventor, was one of thousands of Australians who lost a son in World War 1. Among the Hargrave artefacts and papers in the Museum’s collection, there are six photos that tell the story of his son, Geoffrey Lewis Hargrave.
The Australian Dress Register (ADR) is a website that celebrates men’s, women’s and children’s dress that has an Australian provenance. Museums and private collectors are encouraged to research their garments and share the stories and photographs on the Register.
The Museum of Applied Arts and Sciences holds two important photography archives related to Sydney photographer David Mist - the Studio Ten archive (92/401) acquired as a gift of the photographer in 1992, and the David Mist archive (96/44/1) acquired as a gift of the photographer under the Australian Government Taxation Incentives for the Arts program in 1996.
Whether frock, gown, robe or shift, regalia or rags, our clothes are and have always been culturally significant. We dress ourselves because it is custom, but also for acceptance, for status and out of caprice.
As the Museum of Applied Arts & Sciences in Sydney undertakes a restructure, downsizing staff numbers as it endeavours to become more nimble and sustainable, curators will soon be re-applying for their jobs.
Discovering the identities of World War One soldiers from the Tyrrell Collection portraits has often been a difficult and tedious process. A contributing factor to this difficulty is the use of aliases by soldiers.
As we approach the centenary of World War One commemorative activities will be taking place across the world by all the countries involved in World War One. Australia's responses will include exhibitions, publications and re-enactments of recruitment drives like the Coo-ee and Kangaroo marches in 1916 .