When Deniz Tek, medical student, audiophile and guitarist met Rob Younger in the early 1970s amidst the satin flares and platform boots that then graced Sydney’s pub stages the two students could see and hear that energy, rebellion, intelligence and true social comment were sorely missing.
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Sometimes luminaries in popular culture are called 'legends'. A legend is a story that has been handed down and is popularly regarded as historical but not authenticated. The legend of Annette Kellerman goes like this -- born in Marrickville, she recovered from polio as a child, invented the one-piece swimsuit, was arrested in Boston for wearing it and became a Hollywood movie star.
Anna Tregloan has designed staging and costumes for a wide variety of independent theatre companies and artists in Australia and overseas. Here she discusses her approach to the exhibition design for Collette Dinnigan: Unlaced with MAAS fashion curator, Glynis Jones.
Annette Kellerman's successes in a number of fields are extraordinary. Born in Sydney in 1886, she became an international celebrity as an endurance swimmer, a highly paid entertainer of the vaudeville stage and a star of American silent films. She played a key role in popularising the modern one-piece swimsuit for women, became a successful businesswoman and wrote self-help books about health, beauty and exercise.
On this day in 1973, Queen Elizabeth II officially opened the Sydney Opera House. The ABC beamed the occasion by satellite to an appreciative world. Closer to home there were sighs of relief from the politicians, architects and engineers who had, to that time, weathered one controversy after another.
We've amassed some beards in our collection! Curator, Rebecca Evans, takes us through her favourites. 1. Christmas card by Dahl and Geoffrey Collings This card (at top) features a cartoon of a giant, a representation of iconic Australian actor Chips Rafferty, sitting on a stool having his huge beard combed by a tiny female figure, Quentin Rafferty.
This series of posts on Australia’s own Wirth’s Circus finishes up today with only a few days left to see our exhibition, Circus Factory. Previous posts have looked at when the Wirth's circus hit the road, how we are exhibiting the Wirth's Circus collection, the family's musical beginnings, the diary of John James Wirth and how the Wirth brothers transformed from band to circus. Photographs and documents in the Museum’s collection reveal the rapid growth of Wirth’s Circus as well as a series of disasters and triumphs they encountered on their first overseas tours.
This advertising sign from the Wirth’s Circus collection is currently on display in the Circus Factory exhibition at the Powerhouse Museum. Wirth’s Circus was founded by the four Wirth brothers around 1880.
The Powerhouse Discovery Centre will celebrate Science Week with lots of activities on the weekend of 16-17 August. Our example of the Super Sopper, an Australian innovation that has been removing excess water from sports fields for forty years, is one of many objects that will star in behind-the-scenes tours.
Back in 1992, when Strictly Ballroom had just been released its producer Tristram Miall donated the movie costumes to the Powerhouse. Tristram was aware that this was not just any movie wardrobe.
Norman Hetherington was a creator of wonder, but also, what may not be as well known, he was a creator of edifying realism. Having served in the Second World War, Hetherington got a taste of and developed a talent for performance art, being part of an entertainment unit.
We’ve just installed a small exhibition to mark the fortieth anniversary of Sydney Opera House on 20 October. The anniversary, by the way, is of the official 1973 opening by the Queen, not the first public performance there on the 28 September 1973, an interesting choice of dates.