It’s National Science Week! Tune in each day to meet MAAS’ science curators, discover objects from our wonderful science collection and find out what a science curator actually does in a day. Australia is no stranger to great inventions: from WiFi to Ultrasound scanners, solar cell technology to pacemakers, Australian scientists have been responsible for countless scientific advances that have changed the world for the better.
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It’s National Science Week! Tune in each day to meet MAAS’ science curators, discover objects from our wonderful science collection and find out what a science curator actually does in a day. In 2016, the Museum of Applied Arts and Sciences presented the exhibition Out of Hand: materialising the digital.
It’s National Science Week! Tune in each day to meet MAAS’ science curators, discover objects from our wonderful science collection and find out what a science curator actually does in a day. This year’s Science Week school's theme, Future Earth, focuses on sustainability science.
In 1887 observatories worldwide embarked on an ambitious project to photograph the entire sky, cataloguing the positions of millions of stars to produce a document known as the Astrographic Catalogue.
Today, Friday 21st July 2017*, marks 48 years since Neil Armstrong became the first human to set foot on the moon.
Since 1889 the kilogram has been defined by a small metal cylinder stored in a vault in France. But now, with the help of a perfect silicon sphere recently acquired by the Museum, that’s all about to change.
In late 2016 the exhibition Gravity (and Wonder) explored the human fascination with gravity, space and time through scientific investigations and artistic explorations. In a partnership between Penrith Regional Gallery & The Lewers Bequest and the Museum of Applied Arts and Sciences curators Dr Lee-Anne Hall and Katie Dyer developed a three month program of events & workshops to support the exhibition.
This photograph by Max Dupain (22 Apr 1911 - 27 Jul 1992), signed and dated 1936, is from the archive of Madame Louise Lamoureux, who ran a Sydney fashion house specialising in embroidery and hand-beading.
Recently identified in the MAAS collection are twenty early career images of fashion icon Carmen Dell’Orefice modelling hats by celebrity milliner, Mr John of New York (1902-1993). Still modelling at 85, Ms Dell’Orefice is widely acknowledged for her elegance and interpretative skill.
Why would a museum collect 3D printed objects? To answer this question it’s important to think about why museums collect anything at all. Museum collections, on the whole, show a deep, human preoccupation with material culture - the things that surround us.
Whenever asked ‘when, where and what’ to visit in Sydney, we know the answer: the Opera House with her pure white sails lit in moonlight and of course, our iconic Sydney Harbour Bridge that sparkles beautifully every New Year’s Eve.
I have been lucky to gain a place as a volunteer two years ago with MAAS. More recently, I have had the pleasure of joining the MAAS ‘David Mist Digitisation Project’ team, as part of my Master in Museum and Heritage Studies at the University of Sydney.