Inside the Collection

Tag: Sculpture

Design for happiness: George Korody furniture designs

December 11, 2013

Charles Pickett
If you’re a fan of mid-century modern furniture, the Powerhouse Museum’s current display is a must-see. 7 Australian Designers profiles a number of Australia’s celebrated modernists and includes iconic furniture by Grant Featherston, Gordon Andrews, Douglas Snelling, Clement Meadmore and Steven Kalmar.

The communising of the mobile computer devise

August 14, 2013

Damian McDonald
'The revolution is not an apple that falls when it is ripe. You have to make it fall'.  Che Guevara Computing devices are now so ensconced in our lives that the notion of being deprived of one of these devices is seen as a removal of liberty.

Refugee Week 2013 – What’s the big deal?

June 21, 2013

Melanie Pitkin
Refugee Week (Sunday 16 June - Saturday 22nd June, 2013) is "Australia's peak annual activity to raise awareness about the issues affecting refugees and celebrate the positive contributions made by refugees to Australian society" (Refugee Week official website).

On the Path to Curiosity

August 27, 2012

Kerrie Dougherty
At 3.32pm on Monday August 6, over a hundred people in the Museum’s Coles Theatre erupted in cheers as word came through on the live feed that we were watching from the mission control room at NASA’s Jet Propulsion Laboratory (JPL) in California that NASA’s latest Mars explorer, the Curiosity rover, had landed safely.

Penicillin mould from Howard Florey’s laboratory

August 24, 2012

Debbie Rudder
These two historic petri dishes are on display at the Powerhouse Museum during Ultimo Science Festival as part of the Science Snaps activity. The sample of green penicillin-producing mould on the left grew for one day and the one on the right for four days.

Guns and public opinion

August 20, 2012

Damian McDonald
Firearms are a polarizing issue. The middle ground is a stripped no-man’s-land. The argument against prevalent gun ownership is of course more than ever legitimate. And honest gun ownership, confined to sportspeople, professional shooters and primary producers is provisional; and reasonable.

The first pedal bicycle

August 17, 2012

Debbie Rudder
This early pedal bicycle is a good example of a velocipede or boneshaker. It is on display in the Powerhouse Museum during August 2012 as part of a small exhibition titled 'Bicycle: simple idea, complex evolution' that I curated for the Ultimo Science Festival.

Refugee Week, Visiting Villawood Detention Centre

June 20, 2012

Melanie Pitkin
This is the second post we are privileged to share with you by guest writer, Widyan Al-Ubudy, for National Refugee Week. In this post, Widyan recounts her personal experiences as a volunteer at Sydney's Villawood Detention Centre and the deep and moving impact it has had on her.

Refugee Week, ‘No more running a mother and daughter story’

June 18, 2012

Melanie Pitkin
To recognise National Refugee Week, we invited Widyan Al-Ubudy, an up-and-coming journalist and media personality to write a post for the Museum about her personal experiences with refugees. Widyan, 20, originally from Iraq, was born in a refugee camp in Saudi Arabia after her family escaped Saddam Hussein's regime in the early 1990s.

Joyce Gittoes Ceramic Art

August 31, 2011

Anni Turnbull
I recently had the privilege to undertake a 20 day internship at the Powerhouse Museum under the supervision of curator, Paul Donnelly. I was given the task of documenting an acquisition consisting of a series of ceramic pieces by Joyce Gittoes (b.1915).

Matcham Skipper (1921-2011)

March 24, 2011

Eva Czernis-Ryl
A legend of Melbourne’s bohemian world of the post war decades, Matcham Skipper was a sculptor and jeweller with passion for both the art of metal and unconventional lifestyle. As a jeweller, Skipper was mostly self-taught, drawn to experimenting with silver and gold ‘because of their sensual, ductile qualities’.

Bernard Sahm (1926-2011)

March 14, 2011

Paul Donnelly
Bernard Sahm was a greatly respected potter whose work is represented in all the major galleries of Australia. He trained and practiced as an industrial draughtsman which gave him skills he was to use in his distinctive ceramic output that frequently included drawn and applied detail.