Imagine being a working-class kid from Sydney’s suburbs, and the second car you ever bought was a Ferrari. But instead of being a rev-head, you were an aspiring rock muso. And the Ferrari was not a precision made, top-of-the-line spots car, but a Fender Stratocaster, with exactly the same specs as Formula One musos were using.
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The Powerhouse Museum collection contains material relating to architecture and the built environment, of local, national and international significance. The collection includes scale models, design archives, plans, drawings, photography and interior fittings, with projects ranging from iconic buildings by award winning, internationally recognised Australian architects Glenn Murcutt, Harry Seidler and John Andrews, to social housing and civic projects of public interest. Architectural models form an important part of the architecture and built environment collection, and the Museum has many fine examples of conceptual, working, and large-scale presentation models that illustrate this craft.
Like many suburbs of Sydney, Pyrmont and Ultimo have undergone significant changes during the last two hundred years. It’s hard to imagine the current peninsula filled with the sounds of quarrying, smoke from iron works and power stations and sweet smells from Colonial Sugar Refinery (CSR).
On my recent visit to the Sydney Jewish Museum to experience the exhibition Jukebox Jewkbox! A Century on Shellac and Vinyl I was interested in how the Sydney Jewish Museum has explored the technology of recorded music.
I recently had the privilege of seeing the exhibition Jukebox Jewkbox! A Century on Shellac and Vinyl at the Sydney Jewish Museum in Darlinghurst. The exhibition explores the phenomenon of mass-produced music, performance and comedy on the mediums of shellac and vinyl, and the enormous part Jewish people have played, and continue to play in the industry.
At 87 years old the Sydney Harbour Bridge continues to be admired by artists. During its construction it was documented by photographers such as Harold Cazneaux and painters like Grace Cossington Smith.
The Museum of Applied Arts and Sciences has just launched a new publication, Time and Memory, the second in the MAAS collection series which is supported by the Copyright Agency Cultural Fund. In his introductory essay ‘The Shape of Time’, Principal Curator Matthew Connell places the Museum’s collection within the context of humanity’s understanding and experience of time, and our relationship with memory.
Sydney Observatory was built from 1857 to 1859. The construction contract recently come to light.
On Wednesday 31 January, 2018, Australia and New Zealand will experience a total lunar eclipse. This occurs when the moon moves completely into the Earth’s shadow, blocking out the Sun’s light, and plunging the moon into darkness.
In 2004, the Liberal government under John Howard rushed legislation into parliament which changed the definition of marriage in Australia. The 2004 amendments are: 5 (1) marriage means the union of a man and a woman to the exclusion of all others, voluntarily entered into for life.
On 20 August 2017 it was the 160th anniversary of New South Wales' worst maritime disaster, the sinking of the 'Dunbar'. On a pitch-dark rainy night with a gale blowing a total of 121 passengers and crew of the sailing ship, 'Dunbar', lost their lives not long after midnight.
Happy National Science Week and Sydney Science Festival everyone! This week my science colleagues have taken over the blog to give you a bit more of an understanding about who we are and what we do. When people find out that I’m a science curator their next question is usually “so, what do you actually do?”.