I recently had the privilege of seeing the exhibition Jukebox Jewkbox! A Century on Shellac and Vinyl at the Sydney Jewish Museum in Darlinghurst. The exhibition explores the phenomenon of mass-produced music, performance and comedy on the mediums of shellac and vinyl, and the enormous part Jewish people have played, and continue to play in the industry.
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Google Cultural Institute is an online platform which brings together the collections of hundreds of museums and galleries around the world. Its goal is to make these amazing collections free and accessible to all.
From popular culture to mainstream media to discourse on the post-, trans- and non- human, the human impact of current technological change is palpable. The exhibition Human non Human responds to this sense of anxiousness and exhilaration.
The Museum of Applied Arts and Sciences has just launched a new publication, Time and Memory, the second in the MAAS collection series which is supported by the Copyright Agency Cultural Fund. In his introductory essay ‘The Shape of Time’, Principal Curator Matthew Connell places the Museum’s collection within the context of humanity’s understanding and experience of time, and our relationship with memory.
Imagine a museum where objects come to life as you walk amongst them. With augmented reality technology, that’s becoming possible, enabling visitors to explore museum exhibits and artefacts in new ways.
This post was written by Chloe Appleby, a Curatorial Volunteer working under the supervision of Curator Margaret Simpson throughout 2017 and 2018. Chloe also works as a Program Producer and Visitor Services Officer at MAAS's Powerhouse site in Ultimo and the Museums Discovery Centre in Castle Hill.
Today our computers operate in binary (1s and 0s) but this has not always been the case. For many years analogue computers where more effective than their digital counterparts, and were widely used in scientific and industrial applications where digital computers of the time lacked sufficient performance.
Shape 2017 is a showcase of year 12 student work from the syllabus areas concerned with design and technology – Design and Technology / Textiles and Design / Industrial Technology. This year MAAS has 38 fine examples on show from around New South Wales.
Colonised Australia felt it had grown into an independent, and quite sexy young adult by the 1980s. The 1988 bicentenary was a celebration of all that Europeans had acheived in Australia in 200 years. It was also a year which benefited from the optimism of the Wran NSW Labor Government - which commissioned, among other public institutions and spaces, the ingeniously designed converted power station as the new home for the Museum of Applied Arts and Sciences in Ultimo, Sydney.
On Australia Day, 26 January 2018, the CARnivale classic day display will be held in Parramatta Park in Western Sydney. The car I’ve chosen from the Museum’s eclectic automobile collection to exhibit at the event is a 20 hp International Auto Buggy made in 1910.
The Experimentations exhibition opened in 1988 and has proved popular with our younger visitors ever since. Aimed at children aged 5-12 years, their parents, teachers and carers, the exhibition is designed to be an informal learning space that inspires curiosity and questioning, and allows visitors to play and experiment with materials and processes.
In early 1900, a sponge diver diving off the coast of Antikythera – a small Greek island between Crete and the Peloponnese – discovered the remains of an ancient, wrecked cargo ship. Dated to between 200 and 100 BCE, amongst the ship’s surviving contents of bronze and marble sculptures was a curious piece of rock with an embedded gear wheel.